Women’s Writing in the British Isles from the Beginnings to the Present
T. S. Eliot
-
Standard Name: Eliot, T. S.
Used Form: Thomas Stearns Eliot
TSE
, an American settled in England, was the dominant voice in English poetry during the first half of the twentieth century, as well as an immensely influential critic. His early experimental poems excel at catching an atmosphere or mood, often a moment of stasis and self-doubt. The Waste Land, a brilliant collage of fragments, has been seen to express the fears of a whole society about the threatened end of culture and amenity called civilization. After Eliot's conversion to Christianity his poetry moved to sombre investigations of the spiritual life: of time, fate, decision, guilt, and reconciliation. Meanwhile his criticism grappled with the the relation of past to present in terms of the contemporary relationship to tradition. TSE
also wrote lively comic verse, and in theatrical writing he moved on from pageant and historical religious drama to symbolic representation of spiritual issues through events in banal daily life.
MM
published her Selected Poems, with an introduction by T. S. Eliot
, who also suggested the order of the poems printed here.
Abbott, Craig S. Marianne Moore: A Descriptive Bibliography. University of Pittsburgh Press, 1977.
14-16
Moore, Marianne. “Introduction”. The Poems of Marianne Moore, edited by Grace Schulman, Faber, 2003, p. xix - xxx.
xix
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Seamus Heaney
Sweeney was a legendary king of Ireland who ran mad and was transformed into a bird. He is famous for his poetry and his madness. In literary terms he calls to mind the Irish writer...
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Sylvia Beach
Though the essays were solicited and overseen by Joyce
, SB
did much of the editorial work and designed the cover.
Beach, Sylvia. Shakespeare and Company. Harcourt, Brace, 1959.
In 1936 RP
and Michael Head
had published The Matron Cat's Song, for which she wrote the lyric and he the music. (In 1972 Beryl Price
published musical settings for A Cycle of Cats...
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Virginia Woolf
VW
continued to write personal essays on a range of subjects, some weighty, some witty, but her literary and critical essays are the centre of her work in this genre. In these she wrote about...
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Dora Marsden
Assistant editors were Richard Aldington
and Leonard Compton-Rickett
, and later H. D.
(when Aldington went to war in June 1916) and T. S. Eliot
(from July 1917). Contributors of creative work and critical reviews...
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Muriel Spark
During the year 1951 MS
wrote another verse drama, this time parodic and satirical, aimed at T. S. Eliot
and Christopher Fry
: she called it The Cocktail's not for Drinking. It reached proof...
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Virginia Woolf
The article formed the basis
Hussey, Mark. Virginia Woolf A to Z. Facts on File, 1995.
168
of a paper titled Character in Fiction that VW
read to the Heretics Society
in Cambridge
on 18 May 1924. The paper was published, as Character in Fiction...
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Q. D. Leavis
This suggests that QDL
had some part in F. R. Leavis's domination of the teaching of English at Cambridge
(through ideas linked to the schools of Practical Criticism and New Criticism), with his published works...
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Marianne Moore
In the early 1920s MM
was already an influential New York reviewer, who covered such landmark texts as T. S. Eliot
's The Sacred Wood, 1921, Bryher
's first novel, Development, also in...
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Penelope Fitzgerald
The title may perhaps be quoted from the last line of T. S. Eliot
's The Love-Song of J. Alfred Prufrock, which describes walking on the beach and hearing the mermaids' song, Till human...
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Dorothy L. Sayers
The Friends of Canterbury Cathedral had commissioned T. S. Eliot
's Murder in the Cathedral in 1935.
Brabazon, James. Dorothy L. Sayers. Charles Scribner’s Sons, 1981.
161-2
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Q. D. Leavis
This volume contains four lectures given by the Leavises at Harvard
and Cornell
, three of which are by F. R. Leavis: Luddites? or, There is Only One Culture, Eliot
's Classical Standing...
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Una Marson
Marson initially approached T. S. Eliot
to write the preface, but he refused, so she turned to L. A. G. Strong
, a British writer and a colleague at the BBC
. She dedicated the...
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Marianne Moore
White argues that Moore was essentially two separate poets, pre- and post-World War Two. She chooses to present the earlier one of the two, the poet whom Eliot
, Stevens
, Williams
, and Bishop
