Charles Dickens
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Standard Name: Dickens, Charles
Birth Name: Charles John Huffam Dickens
Indexed Name: Charles Dickens
Pseudonym: Boz
Pseudonym: Timothy Sparks
A prolific novelist, journalist, and editor of periodicals such as Household Words and All the Year Round, CD
crucially shaped Victorian fiction both by developing it as a dialogical, multi-plotted, and socially aware form and by his innovations in publishing serially. As a novelist he worked across a range of genres, including the bildungsroman, picaresque, Newgate, sensation and detective fiction, and usually with satiric or socially critical force. He was loved by readers for his humour, grotesquerie, action, and vigour. An influential public figure and phenomenally successful lecturer during his lifetime, his work continues to be central to popular understandings of nineteenth-century England, and in particular London.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Health | Catherine Crowe | She had previously suffered from depression. Oliphant, Margaret et al. Women Novelists of Queen Victoria’s Reign. Hurst and Blackett, 1897. 149 |
Intertextuality and Influence | Mary Elizabeth Braddon | Waters argues that MEB
ought not to be condemned for clichés that she herself helped to establish. Rather we should examine them and the genre of the detective or sensation novel as an index of... |
Intertextuality and Influence | Anna Maria Hall | The book provides a harsh critique of English boarding schools. Its account of school life may be autobiographical. Keane, Maureen. Mrs. S.C. Hall: A Literary Biography. Colin Smythe, 1997. 110 |
Intertextuality and Influence | Elizabeth Gaskell | A recurring theme in Cranford is the resistance to change of this insular group—who are convinced, for instance, that robberies must be perpetrated by strangers and that a Signor Brunoni, who turns out to... |
Intertextuality and Influence | Sarah Waters | The novel begins under the sign of Dickens
as one of its two narrator-heroines, then known as Susan Trinder, remembers being taken to see Oliver Twist on stage as a small child, and her terror... |
Intertextuality and Influence | Anne Mozley | These attractive essays in belles lettres employ a relaxed, personal speaking voice (which does not, however, reveal its gender), which puts forward literary opinions with casual confidence. Many essays (like Samuel Johnson
's before them)... |
Intertextuality and Influence | Sarah Waters | SW
puts in puts in something like a regular work day when writing, but keeps going to all hours when re-writing. Despite her success, she still finds the process largely torture. And yet [s]tarting... |
Intertextuality and Influence | Mary Elizabeth Braddon | Despite its sensational plot and purple prose, MEB
's first attempt at infusing a touch of poetry and the subjective into her writing through character painting qtd. in Wolff, Robert Lee. Sensational Victorian. Garland, 1979. 161 |
Intertextuality and Influence | Mary Elizabeth Braddon | |
Intertextuality and Influence | Isabella Bird | She used her royalties to buy boats for impoverished Scottish fishermen. Kaye, Evelyn. Amazing Traveler, Isabella Bird: The Biography of a Victorian Adventurer. Blue Penguin Publications, 1994. 29-30 |
Intertextuality and Influence | Alice Walker | The opening words of the title are quoted from June Jordan
. The opening words of the text, more surprisingly, come from Dickens
: It is the worst of times. It is the best of... |
Intertextuality and Influence | Agnes Maule Machar | |
Intertextuality and Influence | Emma Jane Worboise | Each chapter begins with a religious epigraph. This novel recounts the story of the attractive nineteen-year-old bride, Lilian Grey, who makes a marriage above her social class with the aristocratic Basil Hope. Worboise, Emma Jane. The Wife’s Trials; Married Life; Husbands and Wives. Garland, 1976. Wife's Trials: 1-3, 9 |
Intertextuality and Influence | C. E. Plumptre | CEP
takes an unconventional critical approach in applying her theory of causation to a lengthy analysis of literature. She concludes that it is when depicting the subtler operations of the human mind that George Eliot |
Intertextuality and Influence | Anita Brookner | The protagonist and first-person narrator, Zoë Cunningham, like other Brookner heroines, has difficulty extricating her own life from that of her widowed mother. In this case the mother, Anne, is twice widowed: Simon, whom she... |
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