Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press, 1975–1980, 6 vols.
2: 385
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Edna O'Brien | EOB
uses books as presiding spirits of her own writing. James Joyce
's image is at one end of the mantelpiece and Samuel Beckett
's at the other. . . . I write by hand... |
Intertextuality and Influence | George Egerton | Though Anita Moss
in the DLB finds these stories less impressive than GE
's early Keynotes ones, she also writes that they embody some of Egerton's sharpest social criticism,that The Marriage of Mary Ascension looks... |
Intertextuality and Influence | Hope Mirrlees | Paris was received by an appreciative audience. Before its publication Virginia Woolf
described it as very obscure, indecent, and brilliant. Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press, 1975–1980, 6 vols. 2: 385 |
Intertextuality and Influence | Doreen Wallace | In this book DW
strikes out against the stream of consciousness method in fiction. I turn the pages of James Joyce
, Dorothy Richardson
and Virginia Woolf
(Philistine that I am) in the vain hope... |
Intertextuality and Influence | Ada Leverson | AL
was encouraged to write novels by Grant Richards
. Speedie, Julie. Wonderful Sphinx: The Biography of Ada Leverson. Virago, 1993. 133 Burkhart, Charles. Ada Leverson. Twayne, 1973. 38 |
Intertextuality and Influence | Jane Gardam | In a literary introduction Gardam discusses the short story form and invokes James Joyce
's Dubliners. |
Intertextuality and Influence | Jane Ellen Harrison | Martha Carpentier
further discusses Harrison's impact on writers and their works in Ritual, Myth, and the Modernist Text: The Influence of Jane Ellen Harrison on Joyce
, Eliot, and Woolf (1998). |
Intertextuality and Influence | Catherine Byron | Reflections on her own life are intertwined throughout CB
's journey, as she writes on her childhood experience of Catholicism, and her roles as mother, wife, lover, and Irish woman writer. Byron, Catherine. Out of Step. Loxwood Stoneleigh, 1992. passim |
Intertextuality and Influence | Hélène Cixous | |
Intertextuality and Influence | Samuel Beckett | He felt that the second world war had transformed his relation to writing, driving him inward for his subject-matter, away from the Joyce
an play of meaning towards the dearth or even the failure of... |
Intertextuality and Influence | Hélène Cixous | She begins the essay by noting that the second part of her title is an imitation of James Joyce
's A Portrait of the Artist as a Young Man because she also has chosen to... |
Intertextuality and Influence | Edna O'Brien | EOB
's imaginative development was nourished by her wide reading, and consideration of a number of writers helped to shape her own style and vision. She has said in (April 2002) that one learns the... |
Intertextuality and Influence | Hélène Cixous | Other texts that HC
considers here are Franz Kafka
's Before the Law (a segment of The Trial), James Joyce
's A Portrait of the Artist as a Young Man, and seven works... |
Intertextuality and Influence | Virginia Woolf | Yet, though her voice (and her social and political views) were and would remain quite different from theirs, she was keenly attentive to the works of male contemporaries who were, like her, working to create... |
Intertextuality and Influence | Eavan Boland | Building on The Journey and Other Poems and Outside History, EB
divides this book into three sections, Writing in a Time of Violence, Legends, and Anna Liffey, to deal respectively with... |
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