Palmer, Alan, and Veronica Palmer. The Chronology of British History. Century, 1992.
386
Westminster Theatre
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Performance of text | T. S. Eliot | The Family Reunion, another verse play by TSE
and his first with a contemporary setting, had its opening performance at the Westminster Theatre
in London. Drabble, Margaret, and Jenny Stringer, editors. The Concise Oxford Companion to English Literature. Oxford University Press, 1996. 183 |
| Performance of text | Ethel Lilian Voynich | In 1890, ELV
was, alongside Stepniak, both translating for and editing Free Russia, the journal of the Society of Friends of Russian Freedom
, for whom she smuggled forbidden books into Russia, meeting... |
| Performance of text | Lesley Storm | LS
's best-known play, Black Chiffon, had its premiere in London at the Westminster Theatre
. It ran for over 400 performances. The celebrated Flora Robson
played the lead role. Morgan, Fidelis, editor. The Years Between: Plays by Women on the London Stage 1900-1950. Virago, 1994. 401 Ravenhall, Chris. “Lesley Storms Three Goose Quills and a Knife: A Burns Play Rediscovered”. Studies in Scottish Literature, Vol. 32 , 2001, pp. 46-54. 46-7 |
| Performance of text | Naomi Royde-Smith | NRS
's comedy Private Room opened at the Westminster Theatre
in London; it seems not to have been published. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. (24 February 1934): 10 |
| Textual Production | Dorothy L. Sayers | The play is based on the life of William of Sens
, a twelfth-century architect who rebuilt part of the Cathedral after a fire. The Zeal of Thy House was transferred to London's Westminster Theatre
. |
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