Crommelin, May. Orange Lily. Ullans Press, 2017.
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Connections Sort descending | Author name | Excerpt |
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Textual Features | Michèle Roberts | Her protagonist, Josephine, is as a child deeply impressed by two sights on the same day: a fat lady, gaudily dressed, daringly walking a tightrope, and a burning of heretics by the Inquisition. Josephine identifies... |
Textual Features | Susan Smythies | SS
's modesty was well founded. The novel that follows is a more conventional romance than any of Richardson
's, though it makes much reference to Sir Charles Grandison, and also cites Pamela (though... |
Textual Features | Evelyn Waugh | The protagonist of these books, Guy Crouchback, is a middle-aged Roman Catholic, divorced from his wife, Virginia (though not in the eyes of the Church
, which therefore does not regard a sexual fling with... |
Textual Features | May Crommelin | The book is headed with romantic lines from Thomas Davies [sic]
about successive migrants and visitors to Ireland, from the brown Phoenician to the iron Lords of Normandy. Crommelin, May. Orange Lily. Ullans Press, 2017. 1 |
Textual Features | Marjorie Bowen | Early in the story two young men, Dirk and Thierry, decide to study the dark arts. After they put a curse on a fellow-student they are accused of witchcraft and their apparatus discovered, but they... |
Textual Features | Catherine Sinclair | This novel focuses on Beatrice, an orphan of mysterious origin who ends up after a shipwreck in the imaginary Scottish village of Clanmarina. She is taken in by Sir Evan McAlpine, and Lady Edith, his... |
Textual Features | Lucas Malet | The wife, Jessie Enderby, is much younger than the middle-aged colonel. She is presented (by a male narrator who sees himself as a social historian and social critic) not as the passive victim of a... |
Textual Features | Jane Barker | |
Textual Features | Evelyn Underhill | The Lost Word draws on but warps the conventions of aestheticism. Catherine Alstone's passion for art is not inflected by practical concerns, but neither is it art for artisticness that I want . .... |
Textual Features | Georgiana Fullerton | In Mrs. Gerald's Niece Margaret, the heroine of Grantley Manor, is now Mrs Walter Sydney and is thirty-seven. The new novel engages with the Oxford Movement
, detailing the doctrinal progression of Ita and... |
Textual Features | Catharine Trotter | It records the thinking that led her to return from the Roman Catholic Church
to the Church of England
. CT
uses the first person, in a clear, confident style, hammering her opponents with rhetorical questions. |
Textual Features | Charlotte Elizabeth Tonna | The protagonist of The Deserter is a young Irish soldier in the British army. When he deserts (having got into bad company) he is arrested and re-possessed by the army. Serving in India, he... |
Textual Features | Georgiana Fullerton | GF
is still struggling here with the relative merits of fiction and biography. Her preface puts forward the idea that when a biography is able to present its readers with a reflection of their own... |
Textual Features | Lucas Malet | The title is ironical, for LM
argues that women's incursions into the masculine sphere threaten them with subjection, while personal and family relations set their talents free. She appeals here to the authority of the... |
Textual Features | Sylvia Townsend Warner |
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