Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press, 1994.
19, 21, 25
Connections Sort descending | Author name | Excerpt |
---|---|---|
Family and Intimate relationships | Christopher St John | Atwood, who had been exhibiting her paintings since 1893, trained at the Slade School
and was a member of the New English Art Club
. During World War I she was one of the few... |
Family and Intimate relationships | Dora Carrington | The two met at the Slade
and their relationship was for Carrington mainly concerned with painting. Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press, 1994. 19, 21, 25 |
Friends, Associates | Iris Tree | IT
became acquainted with members of Bloomsbury around the time she attended the Slade School of Art
. Vanessa Bell
, Duncan Grant
, and Roger Fry
all painted portraits of her, and she wore... |
Friends, Associates | Dora Carrington | DC
formed a lively group (the Wild Group, as they were known at the Slade
) with women she remained in close contact with for many years, including Dorothy Brett
(later the Honourable), Barbara Hiles |
Intertextuality and Influence | Dora Carrington | Critic Jane Hill
argues that with this work, Carrington established her voice as uniquely, identifiably her own. Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press, 1994. 32 |
Material Conditions of Writing | Marjorie Bowen | While she was attending the Slade Art School
in London, MB
became completely discouraged about her prospects as an artist and began to write. At around the age of fourteen she had written a number... |
Occupation | Daisy Ashford | DA
's family moved to Bexhill, and soon after this Daisy followed her sister Vera
to London, where Vera had enrolled at the Slade School of Fine Art
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Malcomson, R. M. Daisy Ashford: Her Life. Chatto & Windus, 1984. 91 |
Occupation | Julia Strachey | Though she wrote regularly, JS
published infrequently and supported herself through a range of other occupations. Strachey, Julia, and Frances Partridge. Julia: A Portrait of Julia Strachey. Little, Brown, 1983. 11 Strachey, Julia, and Frances Partridge. Julia: A Portrait of Julia Strachey. Little, Brown, 1983. 102 |
Textual Features | Dorothy Brett | A crucial entry from the Mansfield diary reads Dearest Tig, For the first time in my life I slept with a man and that man was yours = I found you on the stairs—quite early... |
Textual Production | Dora Carrington | Carrington's paintings are housed in such institutions as the Scottish National Portrait Gallery
, the Tate Gallery
, the Slade School of Art
, and private collections. Many of her papers, mainly letters and diaries... |
Textual Production | Dora Carrington | Selected by Roger Fry
, Carrington
's Tulips was shown at the Grosvenor Galleries
' Nameless Exhibition of Modern British Painting. At this exhibition, Henry Tonks
(who had supervised both Carrington and Vanessa Bell |
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