Mitchell, Sally. Dinah Mulock Craik. Twayne, 1983.
13
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Amelia Opie | AO
wrote this novel in order to grapple with the events of 1794, a year which saw the end of the Terror in France, but at home the suspension of Habeas Corpus and the treason... |
Publishing | Dinah Mulock Craik | Despite the immense success of this book, DMC
continued to publish anonymously, though she took steps to set the record straight when someone else tried to claim the authorship of John Halifax. Mitchell, Sally. Dinah Mulock Craik. Twayne, 1983. 13 |
Publishing | Margaret Oliphant | She said she wrote it partly to amuse myself, and on a sudden impulse. qtd. in Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995. 270 |
Publishing | Charlotte Smith | |
Publishing | Cicely Hamilton | Lena Ashwell
, manager of the Kingsway, played the lead in this production. CH
published Diana of Dobson's as a novel in this same year, but it did not reach print as a play until... |
Publishing | Ella Hepworth Dixon | Dixon said she had begun this work in 1892-3, before the rush of woman-books began. qtd. in Fehlbaum, Valerie. Ella Hepworth Dixon: the Story of a Modern Woman. Ashgate, 2005. 124 |
Publishing | Lydia Howard Sigourney | LHS
was an indefatigable correspondent. Her papers are to be found at the Connecticut Historical Library
, the Connecticut State Library
, the Huntington Library
, the Schlesinger Library
, the New York Historical Society |
Publishing | Sara Jeannette Duncan | A Broadview Press
edition by Gillian Siddall
appeared in 2001. |
Publishing | Mary Shelley | In 1823 William Godwin
(inspired by a successful dramatisation of his daughter's novel, playing at the Lyceum Theatre
in London as Presumption; or, The Fate of Frankenstein) arranged a second edition for MS
's... |
Publishing | Elizabeth Inchbald | She had finished writing it about two years earlier, during the revolutionary period. Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America, 1987. 108 |
Publishing | Anna Brownell Jameson | It went through more than a dozen editions, generally illustrated, in Britain, the US, and the continent, and was translated into German. Lynn M. Alexander
's edition for Broadview Press
appeared in 2005. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Desmet, Christy. “’Intercepting the Dew-Drop’: Female Readers and Readings in Anna Jameson’s Shakespearean Criticism”. Women’s Re-Visions of Shakespeare, edited by Marianne Novy, University of Illinois Press, 1990, pp. 41-57. 41 |
Publishing | Sara Jeannette Duncan | This was the first Duncan work to be given a modern edition from Broadview
: by Germaine Warkentin
in 1996. |
Publishing | Mary Shelley | During this year MS
helped her husband arrange the scenes in his incest-drama, The Cenci. Purinton, Marjean D. “Polysexualities and Romantic Generations in Mary Shelleys Mythological Dramas Midas and ProserpineWomens Writing, Vol. 6 , No. 3, 1999, pp. 385-11. 388 |
Publishing | Sarah Orne Jewett | It had originally appeared in four instalments in the Atlantic Monthly the same year. The Broadview
edition of 2009 includes with it four more stories as the Dunnet Landing Tales. |
Publishing | Sara Jeannette Duncan | A Broadview Press
edition by Misao Dean
appeared in 2005. |
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