Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America, 1987.
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Connections Sort descending | Author name | Excerpt |
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Publishing | Sara Jeannette Duncan | A Broadview Press
edition by Gillian Siddall
appeared in 2001. |
Publishing | Mary Shelley | In 1823 William Godwin
(inspired by a successful dramatisation of his daughter's novel, playing at the Lyceum Theatre
in London as Presumption; or, The Fate of Frankenstein) arranged a second edition for MS
's... |
Publishing | Elizabeth Inchbald | She had finished writing it about two years earlier, during the revolutionary period. Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America, 1987. 108 |
Publishing | Sara Jeannette Duncan | This was the first Duncan work to be given a modern edition from Broadview
: by Germaine Warkentin
in 1996. |
Publishing | Mary Shelley | During this year MS
helped her husband arrange the scenes in his incest-drama, The Cenci. Purinton, Marjean D. “Polysexualities and Romantic Generations in Mary Shelleys Mythological Dramas Midas and ProserpineWomens Writing, Vol. 6 , No. 3, 1999, pp. 385-11. 388 |
Publishing | Anna Brownell Jameson | It went through more than a dozen editions, generally illustrated, in Britain, the US, and the continent, and was translated into German. Lynn M. Alexander
's edition for Broadview Press
appeared in 2005. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Desmet, Christy. “’Intercepting the Dew-Drop’: Female Readers and Readings in Anna Jameson’s Shakespearean Criticism”. Women’s Re-Visions of Shakespeare, edited by Marianne Novy, University of Illinois Press, 1990, pp. 41-57. 41 |
Reception | Grace Aguilar | As the number of titles published after her death illustrates, GA
's reputation flourished in Britain and in the US into the middle of the twentieth century. In the years following her death, her mother... |
Reception | Jane Austen | |
Reception | Michael Field | After being ignored (or scorned) during parts of their writing life, Katharine Harris Bradley and Edith Cooper have been resurrected in recent years by literary scholars interested in the rich field their work offers for... |
Reception | Mary Robinson | The same year Broadview Press
issued her Selected Poems, with four portraits and the illustrations by Maria Cosway
, engraved by Caroline Watson
, to her poem A Wintry Day. These were followed... |
Reception | Kate Chopin | KC
, while relatively well known and read during her lifetime, received little scholarly attention for generations after her death, apart from an early (1932) biography, and a few references to her as a local... |
Reception | Harriet Beecher Stowe | The change in subtitle since the book's serial publication seems calculated to reduce its offensiveness to pro-slavery readers. The book sold an astounding 10,000 copies in the first week and sales kept on at a... |
Reception | Charlotte Dacre | Two new editions of Zofloya appeared in the same year, from Oxford University Press
(World's Classics series) and Broadview Press
. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Reception | Felicia Hemans | Susan J. Wolfson
and Elizabeth Fay
edited for Broadview Press
, 2002, a parallel-text edition of The Siege of Valencia showing the first printed text side-by-side with the recently discovered original manuscript from the Houghton Library |
Textual Features | Doris Lessing | These pieces are, says DL
, long stories, almost short novels. A most enjoyable form this, to write . . . although of course there is no way of getting them printed out of book... |
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