Colenbrander, Joanna. A Portrait of Fryn. A. Deutsch, 1984.
138
Connections Sort descending | Author name | Excerpt |
---|---|---|
Dedications | F. Tennyson Jesse | FTJ
dedicated to the memory of William Heinemann her scholarly work on crime, entitled Murder & Its Motives. Colenbrander, Joanna. A Portrait of Fryn. A. Deutsch, 1984. 138 OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Family and Intimate relationships | F. Tennyson Jesse | FTJ
's strong, wilful, and playful personality, in addition to her beauty, attracted many suitors. Her admirers included publisher William Heinemann
and Sir Alfred Mond
(owner of the English Review). She described Harold Child |
Friends, Associates | Ella Hepworth Dixon | EHD
considered William Heinemann
, her publisher, as also a close personal friend. Dixon, Ella Hepworth. "As I Knew Them". Huchinson, 1930. 51, 77, 187 |
Friends, Associates | Flora Annie Steel | One dinner-party at William Heinemann
's featured the artist James McNeill Whistler
(whose paintings were much in evidence on the walls), Edmund Gosse
and his wife
, FAS
and her daughter, and Catharine Amy Dawson Scott |
Literary responses | Catharine Amy Dawson Scott | While CADS
met with disapproval from her family for her two feminist novels; she received support from the literary community. Her publisher and friend William Heinemann
wrote to her, Your characters are exceedingly vivid—I have... |
Literary responses | Catharine Amy Dawson Scott | Reception was mixed: some critics awarded high praise, but the American publisher Alfred Knopf
wrote to Heinemann
: the novel is most decidedly not my kind of book . . . . Mrs Dawson Scott... |
Literary responses | Willa Cather | A review by Randolph Bourne
in the USA levelled much the same criticisms as William Heinemann
in England. Cather, Willa. On Writing. Editor Tennant, Stephen, Alfred A. Knopf, 1949. 96 |
Other Life Event | Ella Hepworth Dixon | EHD
helped William Heinemann
, William Archer
, and Elizabeth Robins
put on a reading of Ibsen'sJohn Gabriel Borkman in London for copyright purposes. She played a small part, which she read in German... |
politics | Flora Annie Steel | FAS
's possessions were auctioned off in the market square, which she had decorated in suffragette colours. She had arranged that her publisher, William Heinemann
, should buy the first lot: manuscripts which included the... |
Publishing | Violet Hunt | Her agent J. B. Pinker
sent the manuscript to William Heinemann
, who agreed to publish it on the condition that Hunt should change its ending: she would not find an audience, he insisted, for... |
Publishing | Ella Hepworth Dixon | Dixon said she had begun this work in 1892-3, before the rush of woman-books began. qtd. in Fehlbaum, Valerie. Ella Hepworth Dixon: the Story of a Modern Woman. Ashgate, 2005. 124 |
Publishing | George Egerton | After receiving Gill's advice, GE
sent the manuscript to William Heinemann
, who promptly returned it, saying he was not interested in publishing mediocre short stories. Egerton, George. A Leaf from the Yellow Book. Editor White, Terence de Vere, Richards Press, 1958. 28 |
Publishing | F. Tennyson Jesse | William Heinemann
had read FTJ
's stories in the English Review, and asked her to meet him to discuss a book publication. They became good friends, dining once a week when she was in... |
Publishing | F. Tennyson Jesse | She had been growing increasingly disenchanted with Heinemann
ever since William Heinemann
died in 1920 and Charles Evans
became the chairman of the firm. She failed to produced a new novel during the war, and... |
Publishing | Constance Lytton | She wrote this book slowly and laboriously with her left hand, her right hand having been disabled by a stroke. Balfour, Elizabeth Edith, Countess of, and Constance Lytton. “Preface, Introduction”. Letters of Constance Lytton, edited by Elizabeth Edith, Countess of Balfour and Elizabeth Edith, Countess of Balfour, Heinemann, 1925, p. v, xi - xv. xii |
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