Pitcher, Edward W. The Literary Prose of "Westminster Magazine" (1773-1785). Edwin Mellen Press, 2000.
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Connections Sort descending | Author name | Excerpt |
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Friends, Associates | Georgiana Cavendish Duchess of Devonshire | The Duchess of Devonshire knew virtually everyone in London society. Set apart was the Devonshire House Circle: a clique of wealthy and fashionable Whigs with rakish or bohemian leanings, who even spoke in their... |
Friends, Associates | Samuel Johnson | Johnson had a talent for friendship which he kept well exercised: the names mentioned here represent only a selection of his friendships. His early London friends, whom he met during a comparatively poorly documented period... |
Friends, Associates | Frances Burney | FB
made friends in the older generation as well as her own. The whole Burney family loved and were loved by David Garrick
. Sir Joshua Reynolds
, who lived barely fifty yards away from... |
Intertextuality and Influence | Dorothea Celesia | Garrick
took some trouble to revise her draft: cutting over-long speeches, for example. She was grateful and appreciative but, surprisingly in view of the skilful way she shifts the play's emphasis from hero to heroine... |
Intertextuality and Influence | Aphra Behn | Aspects of this story were re-used by Jane Barker
(for Philinda's Story out of the Book in The Lining of the Patch-Work Screen, 1725) and by Thomas Southerne
and David Garrick
for works for... |
Intertextuality and Influence | Elizabeth Griffith | It was published the same month by Fielding and Walker
, who were also publishers of the Westminster Magazine (to which EG
was a contributor). Pitcher, Edward W. The Literary Prose of "Westminster Magazine" (1773-1785). Edwin Mellen Press, 2000. 60 |
Intertextuality and Influence | Charlotte Lennox | CL
had probably begun this play immediately after the appearance of her novel Henrietta, 1759, which it reworks. Indeed, the play bore the same title as the novel when it was seen in manuscript... |
Intertextuality and Influence | Charlotte Nooth | CN
refers to several canonical English names (Pope
, Reynolds
, Garrick
, Shakespeare
, and Edmund Kean
in her first poem), and relates closely to continental women. She praises Germaine de Staël
for... |
Intertextuality and Influence | Frances Brooke | Eight months after Brooke's broadside against Garrick
, he put on a version of Lear which was slightly closer to Shakespeare. McMullen, Lorraine. An Odd Attempt in a Woman: The Literary Life of Frances Brooke. University of British Columbia Press, 1983. 22 |
Intertextuality and Influence | Margaret Drabble | The heroine of this novel is unhappy in her marriage (two small children) to an ebullient and overbearing young actor. She is stuck with his theatre company in its seven-month season in Hereford (the birthplace... |
Literary responses | Mary Latter | Garrick
thought her letter fine & conceited. Garrick, David. Letters. Editors Little, David M. and George M. Kahrl, Belknap Press of Harvard University Press, 1963, 3 vols. 3: 927n3 Garrick, David. Correspondence. Editor Boaden, James, H. Colburn and R. Bentley, 1831, 2 vols. 1: 634n |
Literary responses | Dorothea Celesia | A prologue by William Whitehead
mentioned DC
's right to inherit her father's theatrical talent, in spite of her sex: No Salick law here bars the female's claim. It concluded with the statement that critics... |
Literary responses | Charlotte Lennox | The Monthly Review called the first two volumes very judicious and truly critical. Griffiths, Ralph, 1720 - 1803, and George Edward Griffiths, editors. Monthly Review. R. Griffiths. 9: 145 Isles, Duncan. “The Lennox Collection (Concluded)”. Harvard Library Bulletin, Vol. 19 , No. 4, Oct. 1971, pp. 416-35. 422 |
Literary responses | Charlotte Lennox | Garrick
thought it read beautifully but was lacking in action. Carlile, Susan. Charlotte Lennox. An Independent Mind. University of Toronto Press, 2018. 247 |
Literary responses | Frances Sheridan | David Garrick
showed his confidence in the play by agreeing to take a role secondary to that of Thomas Sheridan
as male lead. The young dramatist John O'Keeffe
long remembered the opening as delightful and... |
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