Berry, Mary. Extracts of the Journals and Correspondence of Miss Berry. Editor Lewis, Lady Theresa, Longmans, Green, 1865, 3 vols.
1: 153
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Michelene Wandor | Novels adapted by MW
are not restricted to those by women. Works by male writers she has revised for broadcasting include Kipps by H. G. Wells
, aired on Radio 4
in 1984 and runner-up... |
Textual Production | Mary Berry | |
Textual Production | Mary Russell Mitford | Sir William Elford had suggested to MRM
by 1824 that (always needing money) she might publish her letters to him. She replied that, if she published, her free comments on books and authors would make... |
Textual Production | Mary Berry | MB
built on her earlier work as editor of Horace Walpole
by editing and publishing in four volumes the letters written to him by one of his liveliest correspondents, Madame Du Deffand
. Lady Charlotte Campbell (later Bury) |
Textual Production | Lady Mary Wortley Montagu | According to the surviving manuscript, the two women produced their verse responses on the very day that Eleanor Bowes was said (years later, by the cynical Horace Walpole
) to die of the violence of... |
Textual Production | Margaret Bingham Countess Lucan | Horace Walpole
received from a mutual friend, the Countess of Upper Ossory
, some verses by MBCL
(whom the big Yale
edition of Walpole's correspondence is unable to identify). Walpole, Horace. The Yale Edition of Horace Walpole’s Correspondence. Editor Lewis, Wilmarth Sheldon, Yale edition, Yale University Press, 1937–1983, 48 vols. 34:131) |
Textual Production | Charlotte Smith | It was small but handsome. Thomas Stothard
did two of the illustrations. His design for sonnet 12 (Written on the Sea Shore.—October 1784—the month in which she crossed the Channel with her children... |
Textual Production | Mary Shelley | During this year MS
helped her husband arrange the scenes in his incest-drama, The Cenci. Purinton, Marjean D. “Polysexualities and Romantic Generations in Mary Shelleys Mythological Dramas Midas and ProserpineWomens Writing, Vol. 6 , No. 3, 1999, pp. 385-11. 388 |
Textual Production | Mary Berry | Few letters survive among those which both sisters wrote regularly to Horace Walpole
during the late 1780s; his to them appear as volumes 11 and 12 in the Yale edition of his correspondence. Mary also... |
Textual Production | Anne Damer | AD
's activity as a sculptor dates mostly from after 1777. Her best-known works include the keystones of the bridge at Henley, carved to represent the rivers Thames and Isis: completed in 1785, they... |
Textual Production | Anne Damer | The Lewis Walpole Library
holds four volumes of AD
's notebooks, containing extracts from her own letters addressed to a woman who must be Mary Berry
, thirteen complete letters from her to Horace Walpole |
Textual Production | Anne Conway | This correspondence is just part of a large haul discovered by Horace Walpole
in August 1758, lying around disregarded at Ragley Hall, partly rotten and partly gnawed by rats. Walpole rescued the collection and... |
Textual Production | Anne Wharton | This means that someone saw her work as a saleable property, and someone else wanted to keep it from print. It is not known who, or for what motives. The manuscript of the verse drama... |
Theme or Topic Treated in Text | Elizabeth Moody | The volume opens with an anti-war poem (as well as reprinting Anna's Complaint and The Temptation) and includes several pieces on deaths: of family members, of a baby, of Edward Lovibond
, of Horace Walpole |
Theme or Topic Treated in Text | Anna Maria Mackenzie | AMM
's opening address To the Readers of Modern Romance says that ancient romance was put paid to by the new source of amusement . . . struck out by Henry Fielding
and Richardson
(to... |
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