Spark, Muriel. Curriculum Vitae: Autobiography. Constable, 1992.
64
Connections Sort descending | Author name | Excerpt |
---|---|---|
Health | Henrietta Camilla Jenkin | The following summer she recovered from this frenzy and set to work, although now both deaf and aphasic, trying to repair her loss of language by the use of dictionaries. A third stroke, however, scattered... |
Intertextuality and Influence | Candia McWilliam | Again this novel could hardly be more different from its predecessor. A quotation from Robert Louis Stevenson
's Songs of Travel heads it, about the salt-encrusted legacy of seafaring ancestors on the shores of Fife... |
Intertextuality and Influence | Joanna Cannan | Alison Dunbar, lonely among her fashion-conscious and shopping-mad schoolmates, begins writing her pony story in exercise books (as was Cannan's own habit) and attains the apotheosis of acceptance by a publisher. She also sheds the... |
Intertextuality and Influence | Violet Hunt | Acquainted with Andrew Lang
through her mother
's social circle, VH
shaped her own poetry under his influence. Partly because of Lang's connections, her romantic poem The Death of the Shameful Knight was published in... |
Intertextuality and Influence | Muriel Spark | MS
wrote constantly as a schoolgirl. She often wrote poems (more sophisticated than her prose) at night while she minded her disabled grandmother. She says she was destined to poetry by all my mentors. Spark, Muriel. Curriculum Vitae: Autobiography. Constable, 1992. 64 |
Intertextuality and Influence | Sir Arthur Conan Doyle | In Through the Magic DoorSACD
wrote of those authors whom he felt to have been his most important influences, including Froissart
, Boswell
, Walter Scott
, Thomas Babington Macaulay
, Carlyle
, Melville |
Intertextuality and Influence | Jo Shapcott | |
Intertextuality and Influence | Philip Larkin | Probably Larkin's most widely-known poem appeared in this volume. Combining the colloquial with the lapidary, it presents a shockingly terse summary statement about the handing on of emotional pain in families: They fuck you up... |
Intertextuality and Influence | Naomi Royde-Smith | Its unnamed male protagonist, presented in the third person, is an artist back in London after thirty years away, staying in a flat in Piccadilly borrowed from his writer friend Humphrey Penderry. He and Penderry... |
Intertextuality and Influence | Jane Gardam | As the title suggests, Polly Flint's chief passion is for Daniel Defoe
, to whose writing she brings a passionate, intelligent naiveté and great perception. She fiercely contradicts those who suppose that Defoe lacked imagination... |
Literary responses | Mary Elizabeth Braddon | By the time of her death, MEB
's novels had received praise from many great writers of her day, including George Moore
, Arnold Bennett
, Robert Louis Stevenson
and Thomas Hardy
. Her astonishingly... |
Literary responses | Elma Napier | Critic Elaine Campbell
reads EN
's collection of travel-stories as belonging to the tradition of Robert Louis Stevenson
and Alec Waugh
. Campbell, Elaine. “An Expatriate at Home: Dominica’s Elma Napier”. Kunapipi, Vol. 4 , No. 1, Dangaroo Press, 1982, pp. 82-93. 86 |
Literary responses | Margaret Oliphant | The work has been consistently admired. On its appearance the editor of The Spectator praised it for wonderful mastery of the borderland of the natural and the supernatural, qtd. in Greenfield, John R., editor. Dictionary of Literary Biography 159. Gale Research, 1996. 159: 256 |
Literary responses | Henrietta Camilla Jenkin | Only three years after the appearance of HCJ
's last novel, the young Robert Louis Stevenson
wrote dismissively of her work in a memoir of her son appended to two volumes of the latter's literary... |
Literary responses | James Malcolm Rymer | One reader who loved this book was the young Robert Louis Stevenson
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
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