Nin, Anaïs. The Novel of the Future. Macmillan, 1968.
171
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Edith Templeton | In 1984 the novelist Anita Brookner
met ET
at Bordighera. After their meeting, according to Templeton, they corresponded until the friendship was broken by Templeton's shock at discovering that Brookner had trained with Anthony Blunt |
Intertextuality and Influence | Jackie Kay | One story, Shell, draws from Kafka
's Metamorphosis, as an overweight single mother grows a shell and becomes a tortoise. Almost all of the stories focus on women, and the most optimistic concern... |
Intertextuality and Influence | Anne Carson | Organized into thirty-four short chapters on ancient Greek love lyrics, this work is a scholarly analysis of eros as an elemental metaphysical structure of human life. In characteristically eccentric fashion, AC
begins her study of... |
Intertextuality and Influence | Anne Carson | AC
's contributions include rendering Fragment 286 by the Greek poet Ibykos
in the manner successively of various more modern voices: John Donne
, Samuel Beckett
, Franz Kafka
, an FBI
report on Bertolt Brecht |
Intertextuality and Influence | Hélène Cixous | Other texts that HC
considers here are Franz Kafka
's Before the Law (a segment of The Trial), James Joyce
's A Portrait of the Artist as a Young Man, and seven works... |
Intertextuality and Influence | Ali Smith | Autumn centres around the intergenerational friendship of 32-year-old art-history lecturer Elisabeth Demand and her childhood neighbour, the clever and lively Daniel Gluck, now 101 years old and quietly existing in a care home. Through silent... |
Intertextuality and Influence | Caroline Blackwood | The novel is epistolary; its protagonist is called only K.—with perhaps some memory of the organizational victim-protagonist Josef K. in Franz Kafka
's The Trial (first translated into English by Willa
and Edwin Muir |
Literary responses | Anna Kavan | |
Literary responses | Marjorie Bowen | Critic Edward Wagenknecht
, believing that the author's creative powers were at their peak at the very end of her life, Wagenknecht, Edward. Seven Masters of Supernatural Fiction. Greenwood Press, 1991. 165 |
Literary responses | Anna Kavan | |
Literary responses | Marjorie Bowen | MB
was admired in her own day by others who prided themselves on the popular touch in their writing: Mark Twain
, Walter de la Mare
, Compton Mackenzie
, and Hugh Walpole
, who... |
Literary responses | Medbh McGuckian | Thomas McCarthy
wrote in the Cork Literary Review that this volume consolidates what is already an achieved and unique presence in Irish poetry. Her mind is astonishing—within her world Kafka
dines comfortably with Vita Sackville-West
. qtd. in The Gallery Press. http://www.gallerypress.com/home.html. |
Literary responses | Ivy Compton-Burnett | During the early part of ICB
's career she was little regarded or understood. Raymond Mortimer
was one of the first to perceive her quality, and she quickly began to attract the attention of younger... |
Literary responses | Jean Rhys | Critically, Rhys has been lauded as a modernist writer, a feminist writer, and, more recently, a postcolonial, Caribbean, or Creole writer. Biographer Carole Angier suggests that her preoccupation with exile was common in her time... |
Material Conditions of Writing | Willa Muir | After WM
finished translatingKafka
's short-story volume The Penal Colony, Stories and Short Pieces, she broke down from exhaustion: my ravaged nervous system began to make itself more felt: I found myself shivering... |