Hill, Rosemary. “No False Modesty”. London Review of Books, Vol.
33
, No. 20, 20 Oct. 2011, pp. 25-6. 26
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Flora Macdonald Mayor | Critics have often bracketed The Third Miss Symons and The Rector's Daughter together as FMM
's masterpieces, in their terse prose style and resistance to stereotypes of spinsterhood. Victoria Glendinning
, reviewing Oldfield's life of... |
Literary responses | Fay Weldon | Reviews of the novel were mixed. Reviewers criticised authorial intrusions, question-and-answer dialogue, and role-typing, while praising solid construction, shrewdness, and authenticity. Victoria Glendinning
in the Times Literary Supplementtraced the details about material objects and... |
Literary responses | Rose Tremain | Reviewers divided over the question of how convincingly RT
had impersonated her very young male hero. The Guardian reviewer admired the way that readers were led deep . . . into Lewis's consciousness, while some... |
Literary responses | Edith Sitwell | Sitwell was subject to dismissive antifeminist comment from such critics as Geoffrey Grigson
and Harold Acton
. Hill, Rosemary. “No False Modesty”. London Review of Books, Vol. 33 , No. 20, 20 Oct. 2011, pp. 25-6. 26 |
Literary responses | Alison Fell | Victoria Glendinning
in the Times Literary Supplement (in AF
's only review to date in that prestigious journal) gave a muted welcome to this collection. To Fell's expressed desire to write ourselves some decent parts... |
Reception | Violet Trefusis | Sackville-West
and Woolf
never read VT
's text: it did not appear in English until 1985, with Barbara Bray
's translation and Victoria Glendinning
's introduction. Souhami, Diana. Mrs. Keppel and Her Daughter. Flamingo, 1997. 257 Glendinning, Victoria, and Violet Trefusis. “Introduction”. Broderie Anglaise, translated by. Barbara Bray and Barbara Bray, Harcourt Brace Jovanovich, 1985. v, xvi |
Residence | Elizabeth Bowen | After selling Bowen's Court she had lived briefly at Stratford and Oxford. Glendinning, Victoria. Elizabeth Bowen. Alfred A. Knopf, 1978. 270 Austin, Allan E. Elizabeth Bowen. Revised, Twayne, 1989. 3 Of her biographers, Allan E. Austin |
Textual Features | Rebecca West | This novel revolves around four meetings (spread over several years) between pianist Harriet Hume and politician Arnold Condorex, characters who come to represent opposing forces—art and politics, private and public life, femininity and masculinity. Glendinning, Victoria, and Rebecca West. “Introduction”. Harriet Hume, Lester and Orpen Dennys, 1980. 2, 6 |
Textual Features | Edna O'Brien | Three of the stories in this collection, Clara, A Woman at the Seaside, and Mrs. Reinhardt, use sleepwalking as a metaphor for their heroines' desire to escape their mundane lives. Imhof, Rüdiger, editor. Contemporary Irish Novelists. Gunter Narr Verlag, 1990. 152-4 |
Textual Features | Violet Trefusis | The novel's action is set in Oxford. Trefusis, Violet, and Victoria Glendinning. Broderie Anglaise. Translator Bray, Barbara, Harcourt Brace Jovanovich, 1985. 12, 22 |
Textual Features | Penelope Shuttle | The reviewer quoted above, Victoria Glendinning
, saw Shuttle as an uncompromising explorer, digging away in the moist rabbit-hole of the subconscious, but unlikely to carry very many readers with her. Glendinning, Victoria. “Blood sisters”. Times Literary Supplement, No. 3907, 28 Jan. 1977, p. 97. 97 |
Textual Production | Violet Trefusis | On 14 May 1918, four days after the end of her first romantic holiday with VT
, Vita Sackville-West
began writing her novel Challenge (titled Rebellion in its early stages). It is clearly based on... |
Textual Production | Elizabeth Bowen | The first story which EB
completed was Breakfast, published in her first collection. She had not yet read the most respected short stories of recent years; her biographer Victoria Glendinning
says she was very... |
No timeline events available.
No bibliographical results available.