Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Kathleen Raine | |
Textual Features | Mary Elizabeth Coleridge | MEC
's poems have been likened, for their mysterious tone, to those of William Blake
. Among the eerie poems included in Fancy's Following is The Witch. Here the speaker, Geraldine (a sorceress), is... |
Textual Features | Ann Batten Cristall | The preface expresses admiration for both Burns
and George Dyer
. ABC
stresses her lack of education (which, critic Richard C. Sha
argues, associates herself with lower-class writers like William Blake
and Henry Kirke White |
Textual Features | Elizabeth Bishop | The volume reproduces in facsimile no fewer than sixteen drafts of one of EB
's best-known poems, One Art; Quinn's notes include snippets of rejection letters from the New Yorker. White, Gillian. “Awful but Cheerful”. London Review of Books, 25 May 2006, pp. 8-10. 10 |
Textual Production | Helen Dunmore | HD
published a novel entitled Burning Bright (whose title comes from Blake
's lines about the tiger). Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Joanna Trollope | From this time on, JT
sometimes published a new book as Caroline Harvey, and sometimes reassigned to her pseudonym works first issued under her own name. Leaves from the Valley, for instance (whose... |
Textual Production | Kathleen Raine | Early in her career KR
was known as a commentator on contemporary or near-contemporary, modernist poetry: a volume of her reviews written between January 1941 and March 1951 was published in 2002 as Defining the... |
Textual Production | Marghanita Laski | ML
dedicated this novel to her son Jonathan. She took her title from Blake
's The Little Boy Lost: Father, father where are you going? / Oh, do not walk so fast! / Speak... |
Textual Production | Eleanor Farjeon | The title is a quotation from William Blake
's Introduction to Songs of Experience. This poem begins, Hear the voice of the Bard! and concludes, The starry floor, / The wat'ry shore, / Is... |
Textual Production | Anne Stevenson | In her reply to Nuala Ní Dhomhnaill
's accusation of subtle sneering, qtd. in Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press, 1998. 85 |
Textual Production | Q. D. Leavis | In this work the Leavises argue (radically modifying the view stated in The Great Tradition) that Dickens was an inheritor of Shakespeare
and Blake
, and a major influence on the formation of the... |
Textual Production | Kathleen Raine | |
Textual Production | Kathleen Raine | In 1979 she published From Blake to A Vision, an essay arguing that both Yeats
and Blake
fall within the central and primary tradition of British Poetry. Stanford, Donald E., editor. Dictionary of Literary Biography 20. Gale Research, 1983. 20: 291 |
Textual Production | Mary Butts | This account of her life from childhood to the age of twenty takes its title from a poem by William Blake
. The poem's speaker is caught by a Maiden while dancing in the wild... |
Textual Production | Penelope Lively | Once more the titles provoke curiosity. They include Venice, Now and Then, Grow Old Along with Me, the Best Is Yet to Be (opening line of a poem by Robert Browning
), Yellow... |
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