William Blake

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Standard Name: Blake, William

Connections

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Textual Features Kathleen Raine
The essay demonstrates connections between Jungian psychology (reaffirming the existence of an archetypal world) and the traditional symbolic language used by poets such as Milton , Shelley , Blake , and Yeats .
Textual Features Mary Elizabeth Coleridge
MEC 's poems have been likened, for their mysterious tone, to those of William Blake . Among the eerie poems included in Fancy's Following is The Witch. Here the speaker, Geraldine (a sorceress), is...
Textual Features Ann Batten Cristall
The preface expresses admiration for both Burns and George Dyer . ABC stresses her lack of education (which, critic Richard C. Sha argues, associates herself with lower-class writers like William Blake and Henry Kirke White
Textual Features Elizabeth Bishop
The volume reproduces in facsimile no fewer than sixteen drafts of one of EB 's best-known poems, One Art; Quinn's notes include snippets of rejection letters from the New Yorker.
White, Gillian. “Awful but Cheerful”. London Review of Books, 25 May 2006, pp. 8-10.
10
The passages...
Textual Production Helen Dunmore
HD published a novel entitled Burning Bright (whose title comes from Blake 's lines about the tiger).
Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk.
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Joanna Trollope
From this time on, JT sometimes published a new book as Caroline Harvey, and sometimes reassigned to her pseudonym works first issued under her own name. Leaves from the Valley, for instance (whose...
Textual Production Kathleen Raine
Early in her career KR was known as a commentator on contemporary or near-contemporary, modernist poetry: a volume of her reviews written between January 1941 and March 1951 was published in 2002 as Defining the...
Textual Production Marghanita Laski
ML dedicated this novel to her son Jonathan. She took her title from Blake 's The Little Boy Lost: Father, father where are you going? / Oh, do not walk so fast! / Speak...
Textual Production Eleanor Farjeon
The title is a quotation from William Blake 's Introduction to Songs of Experience. This poem begins, Hear the voice of the Bard! and concludes, The starry floor, / The wat'ry shore, / Is...
Textual Production Anne Stevenson
In her reply to Nuala Ní Dhomhnaill 's accusation of subtle sneering,
qtd. in
Stevenson, Anne. Between the Iceberg and the Ship. University of Michigan Press, 1998.
85
AS demands: Can't we please get away from hollow psychospeak . . . ? Behold, the mind-forged manacles, at it again...
Textual Production Q. D. Leavis
In this work the Leavises argue (radically modifying the view stated in The Great Tradition) that Dickens was an inheritor of Shakespeare and Blake , and a major influence on the formation of the...
Textual Production Kathleen Raine
In 1972 KR published Yeats , the Tarot, and the Golden Dawn, an essay discussing the work of Yeats and Blake , as New Yeats Papers volume 2. She followed this in 1974 with...
Textual Production Kathleen Raine
In 1979 she published From Blake to A Vision, an essay arguing that both Yeats and Blake fall within the central and primary tradition of British Poetry.
Stanford, Donald E., editor. Dictionary of Literary Biography 20. Gale Research, 1983.
20: 291
This publication was volume 17...
Textual Production Mary Butts
This account of her life from childhood to the age of twenty takes its title from a poem by William Blake . The poem's speaker is caught by a Maiden while dancing in the wild...
Textual Production Penelope Lively
Once more the titles provoke curiosity. They include Venice, Now and Then, Grow Old Along with Me, the Best Is Yet to Be (opening line of a poem by Robert Browning ), Yellow...

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