Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Marie Corelli | R. B. Kershner, Jr.
(a James Joyce
scholar) points out that Joyce read The Sorrows of Satan in 1905 and that the novel has a number of elements that [he] adapts to the form and... |
Intertextuality and Influence | Anna Letitia Barbauld | Literary admirers of the hymns included Hannah More
, Anna Seward
, and Elizabeth Carter
, who found some passages amazingly sublime. McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008. 193 |
Intertextuality and Influence | Mary Ann Kelty | Her narratives of these emotional involvements lead her into analysis of the different effects of love on the two sexes. This analysis is founded on two women writers (identifiable although she does not name them)... |
Intertextuality and Influence | Katharine Tynan | KT
stays with Irish mythology in The Fairy Babe, about a mother whose baby has been replaced by fairies with a changeling child. She figures Ireland in the body of the generous Kathleen who... |
Intertextuality and Influence | Sophia King | The contents are part new, part reprinted. SK
notes this in Remarks of the Author, which admits the claims of good taste but declares that fantastic imagination too has its place. She writes in... |
Intertextuality and Influence | Katharine Tynan | Again, the title of this volume recalls Blake
: his Songs of Innocence and Experience, which appeared by 1794 incorporating the contents of the earlier Songs of Innocence. |
Intertextuality and Influence | Kathleen Raine | For KR
, poetic tradition was that of the major romantic poets, headed by Blake
and followed by Coleridge
, Yeats
, and Edwin Muir
. She was at Girton
when a generation of Cambridge... |
Intertextuality and Influence | Florence Farr | A series of reviews by others precedes Farr's own account of her musical recitations. These experiments in verse performance began as illustrations of Yeats's theories of the music and rhythm of spoken verse, but Farr... |
Intertextuality and Influence | Constance Smedley | Jessica and her younger brother, Edgar, both respond with ecstasy to an offer to borrow books they have not already read (William Morris
, William Blake
, [a]nd people I don't know; and books... |
Intertextuality and Influence | Constance Smedley | By now Samuel is changing. He likens Johanna to Blake
, whom she has quoted, though he has hitherto admired the balance and rationality of Addison
. Smedley, Constance. Justice Walk. G. Allen and Unwin, 1924. 136, 249 |
Intertextuality and Influence | Ruth Pitter | Pitter lets loose what she calls her bawdy side in On Cats, as well as opening small subjects onto large vistas. Three tomcats in a dark garden, by a dreadful tree, enact a witches'... |
Intertextuality and Influence | Evelyn Sharp | She opens with a disquisition on herself as being not a good traveller: easily seasick, not brave, and lacking a sense of direction. However, she says, her reminiscences are selected, to leap over the intervening... |
Leisure and Society | Mary Elizabeth Coleridge | She remained deeply interested in art (she frequented galleries and developed a deep appreciation for Blake
, Turner
, and the more contemporary Renoir
, and Monet
). She also regularly attended the theatre. Coleridge, Mary Elizabeth. “Memoir and Editorial Materials”. Gathered Leaves from the Prose of Mary E. Coleridge, edited by Edith Sichel, Constable, 1910, pp. 1 - 44; various pages. 33 Coleridge, Mary Elizabeth. Gathered Leaves from the Prose of Mary E. Coleridge. Editor Sichel, Edith, Constable, –Apr. 1910. 245, 252-56 |
Leisure and Society | Mary Brunton | As tourists MB
and her husband were just as interested in cultural events, industries, and industrial and military trade as they were in, for instance, old buildings. On her first visit to London she attended... |
Leisure and Society | A. S. Byatt | ASB
later recalled the 1960s as a time of desire to be perpetual children, signified by wearing baby doll dresses and oh-so-innocent daisies as well as by quoting Blake
. One of her seminal experiences... |
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