"Sir J. M. Barrie" Retrieved from https://upload.wikimedia.org/wikipedia/commons/e/e3/J._M._Barrie%2C_1892._%287893554540%29.jpg.
Sir J. M. Barrie
-
Standard Name: Barrie, Sir J. M.
Used Form: Sir James Barrie
Used Form: Sir James Matthew Barrie
SJMB
began his career in the late nineteenth century as a journalist, then moved to short stories, then novels, then plays. Those of his plays which survive in the repertoire, for professionals or amateurs, all involve departures from actuality, and purposeful suspension of the laws of space and time. Far and away the most famous, the basis of Barrie's continuing fame, is the adult play which became a children's classic, Peter Pan.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Production | Dorothy Brett | The Washington Post published a strange and hilariously wrong bulletin heralding DB
's apparently non-existent pretensions to writing plays, and her equally non-existent engagement to J. M. Barrie
. “J. M. Barrie to Wed Again: Daughter of Lord Esher Said to be Be-trothed to Novelist”. The Washington Post, 12 July 1910, p. 4. |
| Textual Production | Viola Meynell | VM
's selection of the Letters of J. M. Barrie appeared at the beginning of this month. MacKenzie, Raymond N. A Critical Biography of English Novelist Viola Meynell, 1885-1956. Edwin Mellen, 2002. 299 |
| Textual Production | Willa Cather | Six months after J. M. Barrie
's novel Sentimental Tommy began to appear serially in Scribner's Magazine, WC
published in the Home Monthly her very short (ten-page) story entitled Tommy, The Unsentimental. Abate, Michelle Ann. “Constructing Modernist Lesbian Affect from Late Victorian Masculine Emotionalism: Willa Cathers Tommy, The Unsentimental and J. M. Barries Sentimental TommyWomens Writing, Vol. 18 , No. 4, Nov. 2011, pp. 468-85. 468 |
| Textual Production | Josephine Tey | Daviot wrote this play in 1936, and sent the script to John Gielgud
, who liked [it] very much except for the last act, but this she was not willing to change. Gielgud, Sir John, and Josephine Tey. “Foreword”. Plays by Gordon Daviot, Peter Davies, 1953–1954, p. ix - xii. ix |
| Textual Production | Richmal Crompton | The title implies opposition to Sir J. M. Barrie
's immensely popular Peter Pan; or, The Boy Who Would Not Grow Up, 1904. RC
published her early stories using the surname Crompton rather than... |
| Textual Production | Dodie Smith | While living in the United States, DS
contributed to a number of Hollywood screenplays. In 1944 she collaborated on The Uninvited, a classic haunted house story adapted from a novel by Dorothy Macardle
(for... |
| Textual Production | Lady Cynthia Asquith | This article (written in two days) began a series in the Times entitled The Woman's View and signed A Correspondent.She received fifteen guineas for an article of 750 words,generally written in two sessions of... |
| Textual Production | Daisy Ashford | DA
's juvenile novella The Young Visiters (written in 1890, when she was just nine years old) was published by Chatto and Windus
in London, with a preface by J. M. Barrie
(author of Peter Pan). OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
| Textual Production | Lady Cynthia Asquith | LCA
's column for the Times and her articles elsewhere led naturally to further miscellaneous work for and about children. (Evelyn Waugh
was mistaken in his unshakable belief that she was the true author... |
| Textual Production | Daisy Ashford | The preface by J. M. Barrie
was a mixed blessing since the novella was widely rumoured to have actually been written by Barrie. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Bolin, Alice. “Daring Daisy Ashford, the Greatest Ever Nine-Year-Old Novelist”. The Paris Review, 8 July 2013. |
| Textual Production | Beryl Bainbridge | In 2003 BB
was at work on a detective novel currently titled Dear Brutus (a title borrowed from J. M. Barrie
, replacing the earlier The Might Have Been) and set in the 1970s... |
| Travel | Lady Cynthia Asquith | From 1921 onwards, she and her children spent every August in possession of Stanway, a holiday funded by Barrie
, who stayed with them and paid rent for them to LCA
's mother, who... |
| Wealth and Poverty | Lady Cynthia Asquith | Money had became tight for LCA
and her husband (though cushioned by their wealthy and generous extended families) when he joined up in the First World War, cutting off the income from the Bar which... |
Timeline
No timeline events available.
Texts
No bibliographical results available.