Voltaire

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Standard Name: Voltaire

Connections

Connections Sort descending Author name Excerpt
Literary responses Charlotte Charke
The Gentleman's Magazine devoted more space to CC 's book this year than to any other new work, though these included Johnson 's Dictionary and Voltaire 's History and State of Europe.
Baruth, Philip E. “Who Is Charlotte Charke?”. Introducing Charlotte Charke: Actress, Author, Enigma, edited by Philip E. Baruth, University of Illinois Press, 1998, pp. 9-62.
4
It...
Material Conditions of Writing Frances Sheridan
She had written it after fleeing to Blois in France with her family after a theatre riot greeted a performance of Voltaire 's Mahomet, and had intended it to be the first of a...
Material Conditions of Writing Dorothy Richardson
While she was working on this novel, her husband Alan Odle was preparing for a show of his drawings and book illustrations. Both of these projects necessitated their spending the winter in London, and...
Occupation Lady Mary Wortley Montagu
LMWM acted as patron to a number of writers (all male so far as is known), most notably Richard Savage and Henry Fielding , but also Edward Young and Samuel Boyse . Books to which...
Performance of text Dorothea Celesia
DC 's Almide, an adaptation of Tancrede by Voltaire , opened at Drury Lane in London. It proved a success, and ran for ten nights.
The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols.
Publishing Dorothea Celesia
DC wrote from Genoa to David Garrick in England, submitting a manuscript of a blank-verse tragedy which she had based on Voltaire 's Tancrède, 1760. Though she had entertained Garrick at her house, she...
Publishing Samuel Beckett
During the same year Eugene Jolas published in the June number of transition Beckett's short story entitled Assumption, and on 14 November the Trinity College, Dublin , student newspaper, A College Miscellany, published...
Reception Dorothea Celesia
A prologue by William Whitehead mentioned DC 's right to inherit her father's theatrical talent, in spite of her sex: No Salick law here bars the female's claim. It concluded with the statement that critics...
Textual Features Elizabeth Griffith
This is unusual: a compliment from a Frenchman to Montagu, whose Shakespeare criticism was anti-Voltaire and therefore anti-French.
Textual Features Brigid Brophy
The title-piece is the last and longest in the volume. It belongs to the once-popular genre of dialogues of the dead. Its characters are Voltaire (who had been used this way several times before), Gibbon
Textual Features Alison Cockburn
The earliest letter addressed to David Hume, written on 20 August 1764, is rather elaborately jokey: Idol of Gaul, I worship thee not. The very cloven foot for which thou art worship'd I despise, yet...
Textual Features Enid Bagnold
Critics Arthur Calder Mashall and Lenemaja Friedman have both noted the probable influence of Voltaire on this novel.
Calder-Marshall, Arthur, and Enid Bagnold. “Foreword”. The Girl’s Journey, Heinemann, 1954, p. vii - xi.
vii
Friedman, Lenemaja. Enid Bagnold. Twayne, 1986.
35
Its main characters are an eccentric Brazilian, Countess Flor di Folio (modelled on Baroness Catherine d'Erlanger
Textual Features Amelia Beauclerc
This novel is heavy-handedly moralistic. The heroine, Miriam Harcott, is the child of an atheistical philosopher (converted in the end by a good—not Methodist—clergyman) and a careless mother who causes the deaths of three of...
Textual Production Elizabeth Montagu
In a counterblast to Voltaire , EM published, anonymously, An Essay on Shakespear.
Blunt, Reginald, and Elizabeth Montagu. Mrs Montagu, "Queen of the Blues", Her Letters and Friendships from 1762 to 1800. Constable, 1923, 2 vols.
1: 217-18
Textual Production Mary Berry
MB had begun to read these letters, found among Walpole's papers, in autumn 1807. She was still working on her preface in April 1810. Longman paid her two hundred pounds for her editorial work.
Berry, Mary, and Agnes Berry. The Berry Papers. Editor Melville, Lewis, John Lane, 1914.
295-6

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