Shelley, Mary. “Introduction”. Frankenstein, edited by David Lorne Macdonald and Kathleen Scherf, Broadview, 1994, pp. 11-43.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Mary Ann Cavendish Bradshaw | There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More
's Coelebs... |
Intertextuality and Influence | Mary Shelley | |
Intertextuality and Influence | Regina Maria Roche | This novel claims relationship with Macpherson
's Ossian through quotations appearing on its title-page and heading its chapters. An element of terror derives from Matthew Gregory Lewis
's notorious The Monk, 1796. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Intertextuality and Influence | Isabella Kelly | |
Intertextuality and Influence | Isabella Kelly | This novel opens in Barbados, though IK
offers far less description of the setting than in her novels with British backgrounds. Though the widowed mother of the heroine, Antonia Courtney, is determined that she... |
Intertextuality and Influence | Ann Radcliffe | The Italian has been read as an answer to The Monk by Lewis
, a vindication of terror (assaults on the nerves, the strain of threatened but imperfectly perceived danger) against horror (sexual obsession and... |
Intertextuality and Influence | Sophia King | The dutiful daughters thank their father for his care of their education. Pieces by the two sisters mostly alternate. SK
claims in a note that she composed her De Clifford's Ghost at the age of... |
Intertextuality and Influence | Emily Eden | She pays no attention in these letters to historical, geographical, or linguistic facts. On one occasion she mentions her interest in Indian politics, but does not write on it because she could not make them... |
Leisure and Society | Lady Charlotte Bury | Enjoyments of her life during these years included amateur theatricals. Lewis
's epilogue for her to speak at the close of one production makes her the moving spirit of the whole. I made up the... |
Literary responses | Amelia Opie | This novel was an instantaneous success. Of the second edition the Critical Review (of May 1802) wrote: Seldom have we met with any combination of incidents, real or imaginary, which possessed more of the deeply... |
Literary responses | Amelia Opie | |
Literary responses | Stéphanie-Félicité de Genlis | Hester Lynch Piozzi
evidently felt later that these stories were very strong meat for children. She commented in a letter, I think a great Change has been made in Taste of popular Literature—or rather popular... |
Literary responses | Sarah Scudgell Wilkinson | George Saintsbury
in 1913 developed an attack on this book as very nearly consummate in badness. . . . a fair example of the worst imitations of Mrs. Radcliffe
and Matthew Lewis
conjointly, though without... |
Literary responses | Anna Gordon | William Tytler
was followed by many more in his interest in AG
's ballads. His son Alexander Fraser Tytler (Lord Woodhouselee)
, Scott
, Jamieson
, Joseph Ritson
, M. G. Monk Lewis
, Robert Anderson |
Literary responses | Isabella Kelly | This novel was praised by the British Critic as entitled to no mean place among the better productions of this description. qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. |
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