Jane Austen

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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA 's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Photograph of a colourized print of Jane Austen, from a drawing by a Mr Andrews commissioned by Austen's nephew James Edward Austen Leigh as frontispiece to his "Memoir of Jane Austen", 1870 (fifty years after she died). She is shown seated, with a book on her lap, wearing a blue dress and light brown bonnet.

Connections

Connections Author name Excerpt
Textual Production G. B. Stern
Sheila Kaye-Smith and GBS jointly published Talking of Jane Austen, an attempt at an informal record of their endless conversations about a novelist they both loved.
Stern, G. B. . And did he stop and speak to you?. Henry Regnery, 1958.
87
Textual Production Sarah Tytler
In a single volume, ST 's Jane Austen and Her Works offered a short biography and a plot summary of the major novels, interspersed with critical commentary.
OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Tytler, Sarah. Jane Austen and Her Works. Cassell, Petter, Galpin, 1880.
prelims
Textual Production Naomi Royde-Smith
NRS published a largely epistolary novel which is designed as a companion piece to Jane Austen 's Emma. Entitled Jane Fairfax: A New Novel, it is written in a pastiche of early-nineteenth-century style.
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Emma Tennant
ET published two more sequels: Emma in Love, Jane Austen 's Emma Continued, and Elinor and Marianne, A Sequel to Sense and Sensibility.
Tennant, Emma. Emma in Love. Fourth Estate, 1996.
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Ali Smith
In addition to these collaborative works, AS has published an anthology of her own favourite texts, those she sees as essential to her development as a writer. Published twice under different titles—The Reader (2006)...
Textual Production Barbara Hofland
The learnedness of allusion and the Austen -like style of satiric storytelling are both unlike BH 's usual manner. It was not her usual practice, either, to publish anonymously, without mention of other works.
Textual Production Joan Aiken
JA published Mansfield Revisited, A Novel, a sequel to Austen 's Mansfield Park and a harbinger of escalation in fiction of this type.
“Joan Aiken”. Fantastic Fiction.
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Q. D. Leavis
QDL was arranging her lectures and essays on Jane Austen into book form. Despite interest from publishers and although QDL continued to write regularly on Austen, the monograph was never completed.
MacKillop, Ian. F.R. Leavis: A Life in Criticism. Allen Lane, 1995.
263, 339-40
Textual Production P. D. James
PDJ published a historical detective novel she said she wrote for fun and in order to combine two great enthusiasms (detection and Jane Austen ): Death Comes to Pemberley, a sequel to Pride and Prejudice.
qtd. in
Crown, Sarah. “A life in writing: PD James”. Guardian.co.uk, 4 Nov. 2011.
Textual Production Fay Weldon
FW 's five-part dramatisation of Jane Austen 's Pride and Prejudice was screened.
Halio, Jay L., editor. Dictionary of Literary Biography 14. Gale Research, 1982–1983.
14: 752
Textual Production Emma Tennant
In the same year she published Tess, which is based on and continues the story of Hardy 's Tess of the d'Urbervilles.
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
She followed these the next year with a return to Austen
Textual Production Margaret Kennedy
Kennedy took the material for this biography from a series of lectures on Jane Austen she had given at the Liverpool Branch of the British Federation of University Women and the English Association of Bath...
Textual Production Joan Aiken
JA published Jane Fairfax: A Novel to Complement Emma, another parallel Jane Austen .
“Joan Aiken”. Fantastic Fiction.
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Q. D. Leavis
QDL delivered the Jane Austen Bicentenary Lecture at the University of Newcastle . It was published posthumously as an essay.
Kinch, M. B. et al. F.R. Leavis and Q.D. Leavis: An Annotated Bibliography. Garland, 1989.
126-7
Textual Production P. D. James
PDJ gave the annual lecture to the Jane Austen Society at Chawton House in Hampshire (where Austen was a regular visitor); it was entitled Emma Considered as a Detective Story.
James, P. D. Time to Be in Earnest. Faber and Faber, 1999.
224, 250

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