Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | George Paston | In the Dictionary of Literary BiographyRebecca Brittenham
likens this novel's play on gothic convention to Jane Austen
's Northanger Abbey. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 197 |
Textual Features | Muriel Spark | Spark's introduction speculates about the neglect of Mary Shelley, suggests as possible cause the fact that no single, facile cliché can encapsulate her, and puts forward a witty and trenchant list of the clichés to... |
Textual Features | Elizabeth Bonhote | A third-person narrative relates how Ellen, gentle as the dove, harmless as the lamb, and modest, without being reserved, Bonhote, Elizabeth. Ellen Woodley. William Lane, 1790, 2 vols. 1: 7 |
Textual Features | Catherine Gore | The title of this novel, published in 1836, echoes and responds to Anna Brownell Jameson
's Diary of an Ennuyée, 1826. The hero, Byronic Lord Eustace Hartston, keeps the heroine, Lady Harriet Delaval, some... |
Textual Features | Mary Ann Kelty | The book bears in various details the influence of Jane Austen
, though its overall project of pious didacticism is at odds with Austen's approach. The title-page quotes Rousseau
on the topic of the sensitive... |
Textual Features | Dorothy Boulger | The plot follows in the tradition of Austen
's Pride and Prejudice: chance causes the heroine and future hero to dislike one another on sight, after which she has to learn to overcome her... |
Textual Features | Mary Martha Sherwood | The story is told in the first person. Royde-Smith thought the protagonist, who is clever and learns from her mistakes, resembled the heroines of Jane Austen
. Less like Austen is the fact that she... |
Textual Features | Elizabeth Sophia Tomlins | Though Theresa writes most of the letters in the book, the opening one, as often in women's epistolary novels at this date, is an exchange between men. Tomlins, however, does not attempt to capture a... |
Textual Features | Lady Louisa Stuart | |
Textual Features | Mary Ann Kelty | At the end of the first volume Mortimer twice proposes to Eliza: once face to face and unpremeditatedly, then by letter. She does not accept him. By the end of the next volume he is... |
Textual Features | Mary Lavin | The novel is a treatment of Irishmiddle-class values.The domestic setting, opening strategy, and structure of the novel appear to be influenced by the work of Jane Austen
, on whom ML
had written her MA thesis. Kelly, Angeline Agnes. Mary Lavin, Quiet Rebel. Wolfhound Press, 1980, http://PS 3523 A946 Z7 K29 1980 HSS. 187 Peterson, Richard F. Mary Lavin. Twayne, 1978. 46-50 Krawschak, Ruth, and Regina Mahlke. Mary Lavin: A Checklist. R. Krawschak, 1979. 29 |
Textual Features | Margaret Oliphant | Elisabeth Jay points out that the title might suggest a bildungsroman with a female protagonist, like Emma by Austen
, whose fine vein of feminine cynicism qtd. in Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995. 60 Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995. 66 |
Textual Features | Mary Shelley | MS
discussed with her correspondents emotions, ideas, politics, and books. In 1839 she voiced admiration for Jane Austen
's humour, vividness and correctness, but added that Harriet Martineau
had higher philosophical views. qtd. in Crook, Nora. “Sleuthing towards a Mary Shelley Canon”. Women’s Writing, Vol. 6 , No. 3, 1999, pp. 413-24. 424n29 |
Textual Features | Kathleen E. Innes | Sources from which excerpts are taken include Jane Austen
's letters, William Cobbett
's Rural Rides, painter Anna Lea Merritt
's book A Hamlet in Old Hampshire, Hampshire Days by William Henry Hudson |
Textual Features | Anne Thackeray Ritchie | ATR
wrote frequently on lesser-known female writers. The collected essays in From an Island include, in addition to the piece on Austen
, one on Heroines and Their Grandmothers which contrasts the cheerful heroines of... |
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