Edith Sitwell
-
Standard Name: Sitwell, Edith
Birth Name: Edith Louisa Sitwell
ES
was an important member of the modernist movement in England. She was primarily a poet and secondarily a literary critic, though her personal polemics, biographies, anthologies, letters, and autobiography all reflect her unique personality and power as a literary stylist.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Dorothy Richardson | In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich
through Jane Austen
, Emily
and Charlotte Brontë
, George Eliot |
Textual Production | Gertrude Stein | Edith Sitwell
had hosted a tea for GS
when she came to lecture at Cambridge
and Oxford
earlier that year; in attendance were Leonard
and Virginia Woolf
. Wagner-Martin, Linda. Favored Strangers: Gertrude Stein and Her Family. Rutgers University Press, 1995. 184 |
Textual Production | Kathleen Raine | KR
's poetry, which focusses on archetypal forms of being, is influenced by Swedenborg
and the Neo-Platonists. She was also fascinated by the avant-garde movements of her era: Bloomsbury Humanism, Freud
ianism, Wittgenstein
's and... |
Textual Production | Aldous Huxley | Between 1921 and 1929 AH
published fifteen works: novels, collections of short stories, works of non-fiction, and books of poetry. Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press, 1996. 356-7 |
Textual Production | Wyndham Lewis | |
Textual Production | Dora Sigerson | DS
's last publication, eight years after her death, was Ernest Benn
's printing of twenty-one of her poems as a pamphlet in its Augustan Books of Poetry series. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Nancy Cunard | NC
's poem Wheels gave the title to the series edited by the Sitwells
.Osbert Sitwell Chisholm, Anne. Nancy Cunard. Knopf, 1979. 36-7 |
Textual Production | Storm Jameson | Jameson had been approached by the Ministry of Information
once the USA had entered World War II, for suggestions on how to cement Anglo-American relations. Jameson, Storm. Journey from the North. Harper and Row, 1970. 524 |
Textual Production | Iris Tree | Not long afterwards, IT
was discovered again, this time by classical scholar Edward Marsh
. Marsh was editor of Rupert Brooke
's poems and of the anthology Georgian Poetry, whose five volumes appeared between... |
Textual Production | Jane Austen | Pride and Prejudice has been many times adapted for the theatre and for the large and small screens. Both A. A. Milne
and the Australian dramatist Helen Jerome
produced stage versions during the 1930s, and... |
Textual Production | W. B. Yeats | WBY
published The Oxford Book of Modern Verse: 1892-1935. His idiosyncratic selection included Alice Meynell
, Ezra Pound
, Edith Sitwell
, Rabindranath Tagore
, Sylvia Townsend Warner
, and his friend Dorothy Wellesley
. Friedmann, Elizabeth. A Mannered Grace. Persea Books, 2005. 280n27 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Textual Production | Iris Tree | Sitwell included five poems by Tree in the first cycle, eight in the second, and nine in each of the third and fourth cycles. The anthology, which extended to six cycles in all, also included... |
Textual Production | Vita Sackville-West | After attending Sitwell
's Façade at least twice (the first, private performance and another in 1926), VSW
declared that in fifty years those frauds the Sitwells qtd. in Glendinning, Victoria. Vita. Penguin, 1984. 164 |
Textual Production | Theodora Benson | |
Textual Production | Rumer Godden | RG
was critical of the distaste with which English writers Osbert
and Edith Sitwell
or Vita Sackville-West
had regarded their American lecture audiences. About her coast-to-coast tour with her husband she later wrote, I took... |
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