qtd. in
Connolly, Sally. “Woolly whispers of the past”. Times Literary Supplement, 13 Apr. 2001, p. 25.
25
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | U. A. Fanthorpe | UAF
was anthologized by Adrian Barlow
in Calling Kindred: Poems from the English Speaking World, 1993. At Poetry International 2000, she chose Robert Browning
as her Presiding Spirit. qtd. in Connolly, Sally. “Woolly whispers of the past”. Times Literary Supplement, 13 Apr. 2001, p. 25. 25 |
Intertextuality and Influence | Katharine Bruce Glasier | The book features as its heroine Aimée Furniss, a recent graduate from Newnham College
who has just taken up her first position teaching at a girls' school. Though she finds teaching rewarding, her experiences with... |
Intertextuality and Influence | Ella D'Arcy | It reverses the traditional story of a male philanderer rejected by a pure-minded woman. Lulie Thayer, an American girl, pursues, loves, and drops every man she meets. She is an adventuress . . . but... |
Intertextuality and Influence | Elinor Glyn | She begins by defining what romance means to her, and she explains that in her life the fundamental impulse behind every action, has been the desire for romance. Glyn, Elinor. Romantic Adventure. E. P. Dutton, 1937. 2 |
Intertextuality and Influence | Kathleen Nott | KN
writes often of intense human emotion without particularising its circumstances. She uses imagery of the natural world and of animals to convey moods and ideas. Her scenes are often city-scapes of the present instant... |
Intertextuality and Influence | Anne Thackeray Ritchie | The chapters are headed with epigraphs from writers including Tennyson
, the BrowningsRobert Browning
, and her father
.The book pays tribute to the vanished Kensington of ATR
's childhood, still in the 1850s a venerable... |
Intertextuality and Influence | Anne Thackeray Ritchie | Thoroughly plugged into the Victorian and Edwardian literary establishments, she used her influence to aid others, such as the American poet Virginia Vaughan
, whose philosophical poem New Era she helped to get reviewed. Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages. 230 |
Intertextuality and Influence | Jane Taylor | Robert Browning
's poem Rephan, he acknowledged, was suggested by Taylor's story entitled How It Strikes a Stranger. Armitage, Doris Mary. The Taylors of Ongar. W. Heffer and Sons, 1939. 172 and n1 |
Intertextuality and Influence | Isa Blagden | Agnes Tremorne is a fairly sentimental novel of art, misfortune, and romance set in Rome during the struggle for Italian independence in the 1830s. Agnes Tremorne—the novel's heroine and protagonist—is both a devoted nurse to... |
Intertextuality and Influence | Sarah Flower Adams | Nearer, My God, to Thee, written when SFA
was only twenty-one, has often been misattributed to Harriet Beecher Stowe
. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder, 1908–2024, 22 vols. plus supplements. |
Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
Intertextuality and Influence | Isa Blagden | A Model and a Wife has a principal cast of three: John Herbert, a solitary English painter living in Rome in ill health; Nell Spencer, a young English heiress (once an abandoned orphan in India... |
Intertextuality and Influence | Theodora Benson | Robert Browning
's poem to Emily Patmore
, the original angel in the house, is quoted at the head of the first chapter. Unlike TB
's first novel, this is a romance with a consummated... |
Intertextuality and Influence | Isa Blagden | The final line invokes Wordsworth
's The Female Vagrant, andIB
also echoes Thomas Hood
's Bridge of Sighs and the more general iconography of the fallen woman. This treatment of what it meant... |
Intertextuality and Influence | Mary Stewart | The novel is set in southern France: the action begins in Avignon and concludes in Marseilles. Epigraphs to chapters range through the traditional English literary canon—Chaucer
, Spenser
, Shakespeare
, Robert Browning |
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