Browning, Robert, and Julia Wedgwood. “Introduction”. Robert Browning and Julia Wedgwood: A Broken Friendship as Revealed by Their Letters, edited by Richard Curle, Frederick A. Stokes, 1937, p. vii - xxiii.
3n1
Connections Sort descending | Author name | Excerpt |
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Reception | Augusta Webster | Portraits, a sustained feminist engagement with the form of the dramatic monologue, remains AW
's most studied work. While clearly influenced by male practitioners, Browning
in particular, her poems operate quite differently from many... |
Reception | Vernon Lee | One of the first and most appreciative readers of VL
's work was John Addington Symonds
, a leading cultural historian of the time. Her book also brought her the notice and friendship of other... |
Reception | Michael Field | Edith sent Browning
a copy of this book, calling it the first fruits of thought spent by a new labourer on the vine-yard of human life. If you will taste the fruit, it will not... |
Residence | Freya Stark | Robert Stark had loved Asolo since his student days in Rome, when he was shown the town by Pen Browning
, the son of Elizabeth Barrett
and Robert Browning
. Robert and Flora's close friend,... |
Residence | Julia Wedgwood | JW
met Robert Browning
at a dinner party at her parents' home at 1 Cumberland Place, Regent's Park, where she still lived. Browning, Robert, and Julia Wedgwood. “Introduction”. Robert Browning and Julia Wedgwood: A Broken Friendship as Revealed by Their Letters, edited by Richard Curle, Frederick A. Stokes, 1937, p. vii - xxiii. 3n1 Wedgwood, Barbara, and Hensleigh Wedgwood. The Wedgwood Circle, 1730-1897: Four Generations of a Family and Their Friends. Studio Vista, 1980. 276 |
Residence | Elizabeth Barrett Browning | She and Robert
first rented the apartment on this date for a three-month term and moved out briefly when their lease was up because the winter rent was double. They returned on 9 May 1848... |
Residence | Elizabeth Barrett Browning | EBB
and her new husband Robert Browning
, travelling on from Paris to Italy, settled for the time being at Pisa. Forster, Margaret. Elizabeth Barrett Browning: A Biography. Grafton, 1990. 195 Browning, Robert, and Elizabeth Barrett Browning. The Brownings’ Correspondence. Editors Kelley, Philip et al., Wedgestone Press, 1984–2024, 14 vols. to date. 14: x |
Residence | Elizabeth Barrett Browning | The BrowningsRobert Browning
moved from Pisa to Florence. Forster, Margaret. Elizabeth Barrett Browning: A Biography. Grafton, 1990. 206 |
Textual Features | Carol Ann Duffy | Critic Deryn Rees-Jones
discerns widely varied influences on CAD
's work: mainstream English poets like Wordsworth
, Robert Browning
, T. S. Eliot
, Auden
, Dylan Thomas
, Larkin
, and Ted Hughes
... |
Textual Features | Daphne Du Maurier | The first-person narrator, Philip Ashley, falls in love with the mysteriousRachel, widow of the cousin whose death he had set out to avenge. Indirectly, he causes Rachel's death.The novel is set in the nineteenth century... |
Textual Features | Christina Rossetti | Influences that manifested themselves somewhat later in CR
's career were those of fairy tales—Perrault
, Keightley
, and later Hans Christian Andersen
—and later poets including Robert
and Elizabeth Barrett Browning
, whom... |
Textual Features | Julia Wedgwood | JW
's correspondence with Robert Browning
is remarkably free and explicit about her emotional involvement with him: I prefer the scorn which falls on those who say too much, to the price . .... |
Textual Features | L. S. Bevington | Here LSB
moves away from the metrical experimentation and aesthetic focus of Poems, Lyrics, and Sonnets, to produce poems that describe a utopian vision of ideal society destined to be cultivated through revolutionary political... |
Textual Features | Elizabeth Barrett Browning | This powerful evocation of a female African-American slave, who challenges her pursuers and thereby forestalls her capture moments before she dies, draws on EBB
's awareness of the Barrett family's history as Jamaican slaveholders. A... |
Textual Features | Margaret Forster | Forster seeks here to replace the traditional image of Barrett Browning as the helpless victim of one man, rescued by another, with a view which sets her at the centre of her own life and... |
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