Elizabeth Carter
-
Standard Name: Carter, Elizabeth
Birth Name: Elizabeth Carter
Nickname: Mrs Carter
Used Form: A Lady
EC
was renowned during a long span of the later eighteenth century as a scholar and translator from several languages and the most seriously learned among the Bluestockings. Her English version of Epictetus
was still current into the twentieth century. She was also a poet and a delightful letter-writer.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Mary Wollstonecraft | Though only about twenty percent of its extracts are written by women (the same proportion as from the Bible), McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008. 501 |
Textual Features | Dorothea Du Bois | After seven pages on grammar, she offers pattern letters: those in verse are in effect an anthology of epistolary poems by women, a patriotically generous selection of Irish writers (Mary Monck
, Mary Barber |
Textual Features | Elizabeth Montagu | The letters of EM
's youth—to the Duchess of Portland
and to her sister Sarah Scott
—are sparkling, irreverent, and inventive. Some of these were conveyed via Elizabeth Elstob
. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Features | Elizabeth Singer Rowe | The Philips poem explicitly ranks friendship above marriage, since the latter relationship may be polluted by Lust, design, or some unworthy ends. Philips, Katherine. Collected Works. Editors Thomas, Patrick et al., Stump Cross Books, 1990–1993, 3 vols. 1: 150 |
Textual Features | Elizabeth Graeme Ferguson | This collection of personal writing includes occasional poems, pastorals, burlesques, ambitious longer pieces, and The Choice of Life (which precedes Johnson
's Rasselas). Notes and an index which she later supplied to this volume... |
Textual Features | Elizabeth Ogilvy Benger | EOB
writes in terms of a women's tradition: for instance, she praises Barbauld
for praising Elizabeth Rowe
. She makes confident judgements and attributions (she is sure that Lady Pakington
is the real author of... |
Textual Production | Hester Mulso Chapone | HMC
contributed a prefatory ode in praise of Elizabeth Carter
's Epictetus, which appeared with it in April 1758. |
Textual Production | Jane Warton | Her brother Joseph
(who had been invited to contribute by Samuel Johnson
in March) wrote to her on 26 April beg[ging] your Assistance in giving us some Pictures drawn from real Life. . .... |
Textual Production | Mary Masters | She had been writing and gathering the material here for at least ten years. The volume was printed for the Author, and dedicated to Lord Burlington
(who subscribed for eight copies). Its publication was... |
Textual Production | Anne Hunter | New poems by AH
continued to make their way into print, along with new collections which drew on her already-published work. In 1804 there appeared as a song-sheet her A New Ballad, entitled and call'd... |
Textual Production | Catherine Talbot | CT
carefully kept her green book full of manuscript essays, meditations, poems, dialogues, allegories and prose pastorals, in what she called her considering drawer. Her friend Elizabeth Carter
urged her to publish, but without... |
Textual Production | Eleanor Anne Porden | In general, EAP
felt that poetic powers seldom contributed to the happiness of a female. Porden, Eleanor Anne, and Edith M. Gell. “Letters: 1821-1824”. John Franklin’s Bride, John Murray, 1930, p. various pages. 105 Porden, Eleanor Anne, and Edith M. Gell. “Letters: 1821-1824”. John Franklin’s Bride, John Murray, 1930, p. various pages. 106 |
Textual Production | Catherine Talbot | CT
was, like most of her contemporaries, an assiduous and entertaining correspondent. Letters that she wrote to Jemima Campbell (later Lady Grey)
and Lady Mary Grey (later Gregory)
were copied and circulated by Thomas Birch |
Textual Production | Katherine Philips | Another poem, dates five months after To my excellent Lucasia, marked Anne Owen's receiving the name of Lucasia, and adoption into our society. Philips, Katherine. Collected Works. Editors Thomas, Patrick et al., Stump Cross Books, 1990–1993, 3 vols. 1: 101 |
Textual Production | Catherine Talbot | Following the renunciation of her love for George Berkeley
, it seems that CT
wrote a series of at least ten poems of passionate feeling. Myers, Sylvia Harcstark. The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England. Clarendon, 1990. 117 |
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