Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Harold Pinter
-
Standard Name: Pinter, Harold
Pseudonym: David Baron
Pseudonym: Harold Pinta
Best-known as one of the leading British playwrights of the later twentieth century and as a Nobel Prize winner, HP
was also a poet, actor, theatre director, and writer of radio plays and screenplays both original and adapted. He was early recognised for stage violence, for comedy of menace and theatre of the absurd. His work became more urgently political with time. He stripped the excess fat from theatre dialogue, and mapped out his own distinctive theatrical topography: a place haunted by the ambivalence of memory, flecked by uncertainty, reeking of sex, and echoing with a strange, mordant laughter.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Ann Quin | Berg earned AQ
two major awards: the Harkness Fellowship, given to the most promising Commonwealth artist under thirty years, and the D. H. Lawrence Fellowship from the University of New Mexico
. “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 231 |
Literary responses | Winsome Pinnock | WP
was touched and delighted when members of the National Theatre
audience (mostly white and relatively affluent) saw the likeness between their own parents and those on stage. Stephenson, Heidi, and Natasha Langridge. Rage and Reason: Women Playwrights on Playwriting. Methuen Drama, 1997. |
Literary responses | Antonia Fraser | AF
was not happy when Harold Pinter
found the manuscript, at a relatively early stage, confusing. Fraser, Antonia. Must You Go?. Random House of Canada, 2010. 286 |
Literary responses | Samuel Beckett | Dylan Thomas
called this novel Freud
ian blarney: Sodom and Begorrah. Parker, Peter, editor. The Reader’s Companion to Twentieth-Century Writers. Fourth Estate and Helicon, 1995. 59 Federman, Raymond, and John, 1937 - Fletcher. Samuel Beckett. University of California Press, 1970. 21 |
Performance of text | Shelagh Delaney | Nottingham Playhouse
, celebrating fifty years in its current home, put on The Lost Plays Revue, a composite work built around forgotten short sketches by SD
(Then and Now) and by others including Harold Pinter
. Thorpe, Vanessa. “Lost short plays by Pinter and Delaney to be staged again”. The Observer, 12 May 2013, p. 25. |
Performance of text | James Joyce | This followed its rejection by managements in England, Ireland and America, the first pronounced by George Bernard Shaw
and the second by W. B. Yeats
. O’Brien, Edna. “The ogre of betrayal”. The Guardian, 29 July 2006, pp. Review 10 - 11. 11 |
Reception | Sarah Kane | A propos the Sheffield production of 2015, Alan Bennett
commented on the difficulty of achieving realism with such extreme violence: how can a character mutilated on stage be shown as having attention for anything at... |
Textual Production | Antonia Fraser | AF
supplied introductions for The Lives of the Kings and Queens of England, April 1975 (by various hands), the Trollope Society
's edition of Anthony Trollope
's Framley Parsonage, 1996, and the Folio Society |
Textual Production | Caryl Churchill | The play was commissioned by Michael Codron
, an influencial theatre producer who had backed Harold Pinter
and Joe Orton
. Kritzer, Amelia Howe. The Plays of Caryl Churchill: Theatre of Empowerment. Macmillan, 1991. 61 |
Textual Production | Penelope Mortimer | PM
finished this book in spring this year, and again dedicated it to her second husband, John Mortimer
. Lord, Graham. John Mortimer, The Devil’s Advocate. The Unauthorised Biography. Orion, 2005. 104 |
Textual Production | Antonia Fraser | She and Pinter
decided to sell their manuscripts to the British Library
. In July 1994 they went to pay our manuscripts a visit. They found that while Pinter's were stored in conventional box-files, hers... |
Textual Production | Shelagh Delaney | Meanwhile, however, in 1963 Nottingham Playhouse
moved to new premises, and its three directors, Peter Ustinov
, John Neville
, and Frank Dunlop
, commissioned from various writers including SDa series of short sketch... |
Textual Production | Fay Weldon | FW
joined distinguished writers such as Harold Pinter
in contributing to the multi-act Mixed Doubles: an Entertainment on Marriage, which was published in 1970 by Methuen
. Halio, Jay L., editor. Dictionary of Literary Biography 14. Gale Research, 1982–1983. 14: 752 Newman, Jenny. “’See Me as Sisyphus, But Having A Good Time’: The Fiction of Fay Weldon”. Contemporary British Women Writers: Texts and Strategies, edited by Robert E., Jr Hosmer, Macmillan, 1993. 207 |
Textual Production | Elaine Feinstein | This opportunity arose from her guest editing an issue of Cambridge Opinion while the regular editors were sitting exams, in an issue she called The Writer out of Society. She had discovered |
Textual Production | Sarah Waters | By perverse coincidence, SW
began her novel about the bombing of London (whose title had been used by several other writers already) on the morning of 11 September 2001. Allardice, Lisa. “Uncharted Waters”. The Guardian, 1 June 2006. Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
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