Women’s Writing in the British Isles from the Beginnings to the Present
T. S. Eliot
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Standard Name: Eliot, T. S.
Used Form: Thomas Stearns Eliot
TSE
, an American settled in England, was the dominant voice in English poetry during the first half of the twentieth century, as well as an immensely influential critic. His early experimental poems excel at catching an atmosphere or mood, often a moment of stasis and self-doubt. The Waste Land, a brilliant collage of fragments, has been seen to express the fears of a whole society about the threatened end of culture and amenity called civilization. After Eliot's conversion to Christianity his poetry moved to sombre investigations of the spiritual life: of time, fate, decision, guilt, and reconciliation. Meanwhile his criticism grappled with the the relation of past to present in terms of the contemporary relationship to tradition. TSE
also wrote lively comic verse, and in theatrical writing he moved on from pageant and historical religious drama to symbolic representation of spiritual issues through events in banal daily life.
She opens on things she would like to do which age makes inappropriate or impossible: acquiring a puppy, or watch a tree-fern grow to maturity. (A postscript records that the tree-fern, discouragingly tiny when it...
Intertextuality and Influence
Michelene Wandor
It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine?
Wandor, Michelene. The Music of the Prophets. Arc Publications, 2006.
34
In tracing the story to before the Act...
Intertextuality and Influence
Nancy Cunard
The same company published Pound
and Eliot
(whose Prufrock is a pervasive presence in Cunard's first two collections). The title of this one strikes a note characteristic of her throughout her life. In later life...
Intertextuality and Influence
Ruth Rendell
This text incorporates a number of unacknowledged literary allusions, such as a reference early on to T. S. Eliot
's lines from The Waste Land characterising April as the cruelest month.
Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 87. Gale Research, 1989.
309, 311
Intertextuality and Influence
Nancy Cunard
The outlaws in question are lovers: he a demon lover, she a fearless woman. The writing here reflects a modernist love of allusion: it is, says Patrick McGuinness
, derivative in quite original ways. Sometimes...
Intertextuality and Influence
W. H. Auden
While an undergraduate at Oxford (from October 1925) he discovered T. S. Eliot
, and was for a while obsessively modernist, as he had previously been traditional in the style of Thomas Hardy
. He...
Intertextuality and Influence
Rose Tremain
Her dedicatee was a bookstore owner in Nashville, Tennessee, where he involved himself in the Civil Rights movement in 1960. (His son Richard
is known as a writer). RT
uses three epigraphs: from St John of the Cross
Intertextuality and Influence
Ruth Rendell
The novel contains particularly sophisticated subplots, including the intense rivalry between Burden's teenaged children, and Elizabeth's and Wexford's parallel fears of growing old. As usual in RR
's work, the novel gives an important role...
Intertextuality and Influence
Charlotte Mew
Critic John Newton
has recently noted some intriguing parallels between CM
and T. S. Eliot
which suggest that some of Eliot's best-known lines from The Waste Land may have been influenced by Mew. He notes...
Intertextuality and Influence
Rosamond Lehmann
RL
included a few family photographs, and headed two of the four sections with quotations from T. S. Eliot
's Four Quartets. Her working title for her book had been Eliot's Go, Said the...
Intertextuality and Influence
Nancy Cunard
The poem is very much influenced by T. S. Eliot
's The Waste Land, whose basic narrative structure it adopts: the poet-protagonist moves through city streets, calls up images of past and present, tries...
Intertextuality and Influence
Rumer Godden
A Fugue in Time has three epigraphs: a description of the simultaneous, independent melodies present in Bach
's fugues; eighteen lines from T. S. Eliot
's still fairly recent East Coker (from Home is where...
Intertextuality and Influence
Monica Furlong
The Times Literary Supplement reviewer noted in Travelling In a host of quotations from old and new sources: from studies in Zen Buddhism
, the Tao te Ching, the Theologica Germanica, and Julian of Norwich
Intertextuality and Influence
Germaine Greer
The chapters are headed with quotations ranging eclectically through the international canon and counter-canon from Sophocles
and The Ramayana of Valmiki (an ancient Indian epic) to Spike Milligan
, via Charles Baudelaire
, T. S. Eliot
Intertextuality and Influence
Vita Sackville-West
It has an introspective strain, owed partly to its genesis in war: The rabble in the basement of our being, / Ragged and gaunt, that seldom rush to light.
