Jean Rhys
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Standard Name: Rhys, Jean
Birth Name: Ella Gwendoline Rees Williams
Pseudonym: Jean Rhys
Pseudonym: Ella Gray
Jean Rhys wrote a number of novels and short stories focusing on her own geographical and emotional alienation, as well as an unfinished autobiography. Her fiction from between the two world ward was largely forgotten when her final novel, Wide Sargasso Sea, brought her major success. After this her novels and short-story collections were translated into many languages, including French, Dutch, Belgian, Swedish, German, Danish, Finnish, Norwegian, Hungarian, Italian, Yugoslavian, Japanese, Czech, Spanish, and Turkish. Her autobiography was translated into French. Several of her novels and stories have been adapted for radio, film and television.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Diana Athill | A chorus of praise greeted this book. The chapter on Jean Rhys
was hailed as a miniature masterpiece.Jules Verdone
in the Boston Globe suggested that that DA
had the knack of presenting as history... |
Literary responses | Joan Riley | Some Black British commentators, like Maud Sulter
, felt JR
's tone was too pessimistic. This response was reported, though not endorsed, by Prabhu Guptara
in Black British Literature: An Annotated Bibliography (1986). As a... |
Literary responses | Patricia Highsmith | Critic Bob Wake
discusses Highsmith's complex point-of-view techniques—a literary style begun by Henry James
—and her modelling The Talented Mr Ripley on his novel The Ambassadors (1903). He notes her humorous plays on the James... |
Occupation | Ford Madox Ford | Ernest Hemingway
was associate editor. The magazine published modernist writers including Djuna Barnes
, Jean Rhys
, Gertrude Stein
, William Carlos Williams
, Ezra Pound
, and e. e. cummings
. Stang, Sondra J., editor. “Introduction and Editorial Materials”. The Ford Madox Ford Reader, Carcanet, 1986, p. various pages. 200 |
Occupation | Eva Figes | EF
had a long stint as co-editor of this series, which includes works on Margaret Atwood
, Jane Austen
, Elizabeth Bowen
, Elizabeth Barrett Browning
, Frances Burney
, Willa Cather
, Colette
,... |
Performance of text | Ruth Prawer Jhabvala | Quartet, a film from Merchant-Ivory Productions
with screenplay by RPJ
(adapted from Jean Rhys
's novel first published under a different title in 1928), premiered at the CannesFilm Festival
. Sucher, Laurie. The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Macmillan, 1989. 240 Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 112, 199 |
politics | Olivia Manning | As to gender politics, though she admired the suffragists and felt strongly about women's rights, she thought of herself not as a woman writer but as a writer who happened to be a woman, and... |
Author summary | Ford Madox Ford | FMF
(who began publishing as Ford Madox Hueffer) was a significant figure in British and international modernism, and a prolific writer during the 1890s and the earlier part of the twentieth century. He produced fiction... |
Publishing | Kathleen Nott | In December 1967 she had been awarded an Arts Council
grant of £1,200 (along with Jean Rhys
, Christina Stead
, Lettice Cooper
, Julia Strachey
, and others) to support her writing. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 57121 (11 December 1967): 10 |
Publishing | Diana Athill | DA
's contributions to various periodicals sometimes enlarge on Stet in describing famous writers and her publishing relationships with them. In 2000 she wrote for the TLS on Jean Rhys
and for Granta on V. S. Naipaul |
Reception | Christina Stead | The prize was worth $10,000. Rowley, Hazel. Christina Stead: A Biography. Secker and Warburg, 1995. 462 |
Textual Features | Diana Athill | Athills remarks how much less she was paid than her male equivalents. All publishing was run by many badly-paid women and a few much better-paid men: an imbalance that women were, of course, aware of... |
Textual Production | Michelene Wandor | Other radio plays that MW
has written about women writers include An Uncommon Love, based on Hannah Cullwick
's relationship with Arthur Munby
, A Consoling Blue, about Jean Rhys
's writing of... |
Textual Production | Winsome Pinnock | For radio WP
wrote a play called Her Father's Daughter, 1998, and adapted the short story Let Them Call It Jazz by Jean Rhys
(dramatization 1997), the novel Indiana by George Sand
(1832; BBC Radio Four |
Textual Production | Shelagh Delaney | SD
adapted a novel by Jennifer Johnston
for the movie The Railway Station Man. She was also screenwriter for the film version of Jean Rhys
's Wide Sargasso Sea directed by John Duigan
. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. “Wide Sargasso Sea”. The New York Times: Movies. |
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Texts
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