Harraden, Beatrice. “Mrs. Lynn Linton”. The Bookman, Vol.
8
, Sept. 1898, pp. 16-17. 16
Connections Sort descending | Author name | Excerpt |
---|---|---|
Employer | Christian Isobel Johnstone | |
Friends, Associates | Beatrice Harraden | BH
described herself as the literary god-daughter of Eliza Lynn Linton
. (Her literary godfather was William Blackwood
). Her first meeting with Linton (the turning-point of her life, she wrote) Harraden, Beatrice. “Mrs. Lynn Linton”. The Bookman, Vol. 8 , Sept. 1898, pp. 16-17. 16 |
Friends, Associates | Felicia Hemans | While in Scotland she met not only Scott
and Jeffrey
, she met in person her publisher William Blackwood
, writer Anne Grant
, critic John Wilson
, and sculptor Angus Fletcher
. Lawrence, Rose. The Last Autumn at a Favorite Residence, with Other Poems. G. and J. Robinson, etc. and John Murray, 1836. 347 Hughes, Harriet Browne Owen, and Felicia Hemans. “Memoir of Mrs. Hemans”. The Works of Mrs. Hemans, W. Blackwood, 1839, pp. 1-315. 201 |
Health | Margaret Oliphant | Eight or nine months before her death MO
told her publisher William Blackwood
of a minor ailment which has often been interpreted symbolically: I have worked a hole in my right forefinger—with the pen, I... |
Publishing | Margaret Oliphant | A family friend, Dr David Macbeth Moir
, introduced MO
to William Blackwood
. Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995. 13, 247-8 |
Publishing | Eleanor Farjeon | EF
's next publication, in Blackwood's Magazine, was a spoof or pastiche: seven lyrics purporting to come from an imaginary book called The Shepheard's Gyrlond, 1594, by the fictional Nathaniel Downes. When... |
Publishing | Margaret Oliphant | The third volume, not by her, followed the next year. Blackwood
commissioned her to write this official history, with payment of £500 a year during its composition. Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995. 23 |
Publishing | Susan Ferrier | SF
only published under the condition that she remained anonymous, hiding her authorship for fear that she would be condemned as unladylike. If I was suspected of being accessory to such foul deeds my brothers... |
Publishing | Annie Louisa Walker | She did not press for payment, and when the publisher, William Blackwood
, offered her remuneration she replied that she knew about my cousin's debt to you
, and it was because of this that... |
Publishing | Sarah Grand | She based her characters and setting on Warrington. Kersley, Gillian. Darling Madame: Sarah Grand and Devoted Friend. Virago Press, 1983. 59 |
Publishing | Sarah Grand | She wrote it, she said, because she felt there was something very wrong in the present state of society, and . . . I did what I could to suggest a remedy. Grand, Sarah. Sex, Social Purity and Sarah Grand: Volume 1. Editor Heilmann, Ann, Routledge, 2000. 213 |
Publishing | Beatrice Harraden | Blackwood
rejected this novel: William Blackwood
thought it too sad to suit the public taste. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Publishing | Caroline Bowles | |
Publishing | Caroline Bowles | Most of the contents had first appeared in Blackwood's. qtd. in Hickok, Kathleen. “’Burst Are the Prison Bars’: Caroline Bowles Southey and the Vicissitudes of Poetic Reputation”. Romanticism and Women Poets, edited by Harriet Kramer Linkin and Stephen C. Behrendt, University Press of Kentucky, 1999, pp. 192-13. 200 Blain, Virginia. “Anonymity and the Discourse of Amateurism: Caroline Bowles Southey Negotiates Blackwoods 1820-1847”. Victorian Journalism, edited by Barbara Garlick and Margaret Harris, Queensland University Press, 1998, pp. 1-18. 7 |
Publishing | Lady Charlotte Bury | Susan Ferrier
helped with this first publication since LCB
's second marriage—the first that belongs to the decades of her novelistic career—by submitting it to Blackwood
, her own publisher, as early as January 1820... |
No bibliographical results available.