King Edward VII

Standard Name: Edward VII, King
Used Form: Edward Prince of Wales
Used Form: Edward Albert
Used Form: Albert Edward, Prince of Wales

Connections

Connections Sort descending Author name Excerpt
politics Maud Gonne
After coming into her inheritance, MG put a great deal of effort into campaigning in England and beyond for the cause of Irish Home Rule. She invested great energy in political activism throughout her life...
Publishing Dorothy Brett
DB 's article The King is Crowned, solicited by the New Yorker's Kyle Crichton , reached print in time for Queen Elizabeth II 's coronation.
Brett, Dorothy. “The King is Crowned”. The New Yorker, 23 May 1953, pp. 56-64.
Hignett, Sean. Brett. Franklin Watts, 1985.
247-8
Reception Agnes Strickland
It was less well reviewed than their previous books. The Spectator implied, rather than saying outright, that it was a mere aggregation of feeble platitudes.
qtd. in
Pope-Hennessy, Una. Agnes Strickland: Biographer of the Queens of England. Chatto and Windus, 1940.
266
When the book reached the Prince of Wales in...
Reception Florence Nightingale
FN became the first woman to receive the Order of Merit, from King Edward VII ; Queen Victoria had already awarded her the Royal Red Cross.
Webb, Val. Florence Nightingale: The Making of a Radical Theologian. Chalice, 2002.
xxiii
Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder, 1908–2024, 22 vols. plus supplements.
Reception Mary Harcourt
The introduction to Miscellanies volume 15 refers to the interest of the then Prince of Wales in the portion we were allowed to print of the amusing diary of Lady Harcourt, which we should have...
Textual Features Hannah Cullwick
HC plays up the Victorian obsession with dirt regularly, often noting that she prepared meals in [her] dirt
Cullwick, Hannah. The Diaries of Hannah Cullwick, Victorian Maidservant. Editor Stanley, Liz, Rutgers University Press, 1984.
69, 116
or that she went to bed too exhausted to clean up. She represents herself as...
Textual Features Catherine Marsh
The book was inspired by the typhoid fever which Albert Edward, Prince of Wales , suffered in December 1871. A service was held for him on the 14th, the anniversary of the death of his...
Textual Production Marie Belloc Lowndes
Thirty-six years after this publication, MBL wrote of the way [m]uch is left out that should have been put into official biographies, because of the writer's need to keep a nervous eye cocked on certain...
Textual Production Catherine Marsh
A few months after publishing The Prince and the Prayer (an account of the Prince of Wales 's divinely-ordered escape from typhoid), CM followed it with The Prince and the Praise, through the same...
Textual Production Violet Trefusis
Major holdings of VT 's papers are at the Beinecke Library at Yale University . This collection includes letters between her and Vita Sackville-West from 1940 onwards, and from Edward VII to Alice Keppel ...
Textual Production Catherine Marsh
CM and her niece L. E. (Lucy) O'Rorke collaborated over the publication of The Prince 's Return through J. Nisbet and Co. Lucy identified herself by her initials, CM as the Author of The Prince...
Textual Production Emma Robinson
ER turned from prose to poetry to issue, again as the author of Whitefriars, an Epithalamium in honour of the marriage of their Royal Highnesses the Prince and Princess of Wales.
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Fay Weldon
The next year this series, Love and Inheritance, expanded to include two more titles: Long Live the King (published in April 2013) and The New Countess (published in November 2013). The first of these...
Textual Production Carola Oman
She sent her first sonnets to magazines under the name of C. Oman, and the rejection slips came in addressed to her father. There was not much Women's Lib. in my early days.
Oman, Carola. An Oxford Childhood. Hodder and Stoughton, 1976.
89
Textual Production Dorothy Brett
The New Yorker in the event paid $410, of which an agent claimed ten percent and Crichton claimed a third. Brett did make another thirty-five dollars when the piece was reprinted in a volume. Her...

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