"Anna Seward" Retrieved from https://commons.wikimedia.org/wiki/File:Anna_Seward_by_Tilly_Kettle.jpg.
Anna Seward
-
Standard Name: Seward, Anna
Birth Name: Anna Seward
Nickname: The Swan of Lichfield
Nickname: Nancy
AS
, living at a distance from London, was nevertheless a woman of letters, of the later eighteenth century and just beyond. She staked her claim to fame firstly on her poetry (though she was always willing to try genres unusual to her, like sermons and a biography of Erasmus Darwin
), secondly on her letters. In these and in her newspaper contributions she was also a literary critic, familiar with the criteria of both the Augustan and Romantic eras and gifted besides with an unfailing independence of judgement.
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Features | Susanna Watts | Ephemera of all kinds have been bound in: family anecdotes, a letter of William Cowper
of 1788, a Hindu Primer (or alphabet), a railway ticket of 1839, women's parliamentary petitions against slavery of 1833 (one... |
| Textual Features | Mary Russell Mitford | MRM
has no patience with Laetitia-Matilda Hawkins
's The Countess and Gertrude or with Byron
's Childe Harold. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers, 1870, 2 vols. 1: 133, 152 |
| Textual Features | Elizabeth Ogilvy Benger | EOB
writes in terms of a women's tradition: for instance, she praises Barbauld
for praising Elizabeth Rowe
. She makes confident judgements and attributions (she is sure that Lady Pakington
is the real author of... |
| Textual Features | Anne Grant | Her range of literary reference and comment is wide: as well as Richardson
(whose Clarissa she unequivocally praises), Grant, Anne. Letters from the Mountains. Longman, Hurst, Rees, and Orme, 1809, 3 vols. 2: 45-8 |
| Textual Features | Elizabeth Graeme Ferguson | This collection of personal writing includes occasional poems, pastorals, burlesques, ambitious longer pieces, and The Choice of Life (which precedes Johnson
's Rasselas). Notes and an index which she later supplied to this volume... |
| Textual Features | Mary Jones | This elegy opens by calling on the Muses to celebrate public spirit: its lament for a national hero shares its tone with later such poems by Anna Seward
, which it may well have influenced. |
| Textual Features | Jane Harvey | The contents include descriptive and melancholy sonnets, satire, autobiography, and politics (including a poem on the horrors of slavery, addressed to William Wilberforce
, and another about the sorrow of a woman whose lover has... |
| Textual Features | Anna Miller | Apart from Anna Seward
, the volumes contain only a handful of women's names, but nearly half the contributions are given anonymously. The male poets honoured include Richard Graves
and William Hayley
. |
| Textual Features | Charlotte Smith | In this book the ancient and imposing but crumbling manor house is an emblem of English society as a whole: a trope which was to be popular with later novelists. The downtrodden orphan heroine, Monimia... |
| Textual Features | Joanna Baillie | The poems present human shifts of mood and quirks of feeling. They are sensitively observed and charmingly written. The only modern poets she yet knew of to admire, JB
said later, were William Hayley
and... |
| Textual Features | Mary Russell Mitford | MRM
's letters regularly indulge in analysis of books. She comments on works by both men and women, in English and French, and her opinions shift a good deal with age. She reacted with horror... |
| Textual Production | Eglinton Wallace | It appeared in two different editions put out this year through the different publishers T. Hookham
, and Debrett
. The Debrett edition lists the price, one shilling and sixpence, on the title-page. “Eighteenth Century Collections Online”. Gale Databases. |
| Textual Production | Catherine Fanshawe | The letters that CF
sent to Anne Grant
are not extant, but Grant's side of the correspondence leaves no doubt that the two were in constant dialogue about new books they had read, and their... |
| Textual Production | Leah Sumbel | It is often said (for instance by the Oxford Dictionary of National Biography) that Topham's main aim in this venture was to boost her career. The World was known for featuring personal attacks on... |
| Textual Production | Mary Bryan | The preface to the work writhes between expression and suppression. MB
alternately fears being blamed for vanity or presumption Bryan, Mary, and Jonathan Wordsworth. Sonnets and Metrical Tales 1815. Woodstock Books, 1996. viii |
Timeline
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Texts
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