Geraldine Jewsbury

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Standard Name: Jewsbury, Geraldine
Birth Name: Geraldine Endsor Jewsbury
During her life, Geraldine Jewsbury wrote six novels and two books for children. Widely published in Victorian periodicals, she was a respected reviewer, editor, and translator. Her periodical publications ranged from theatre reviews, short fiction, and children's literature to articles on social issues and religion. GJ greatly influenced the Victorian publishing industry and public taste through her position as reviewer for the Athenæum and her role as reader for publishers Richard Bentley and Son and Hurst and Blackett .
Head-and-shoulders photograph of Geraldine Jewsbury. She is wearing a dark, hooded cloak, with a light lace collar and a rose-shaped fastener. Her dark wavy hair is pulled back. Her full signature is reproduced underneath: "Geraldine Endsor Jewsbury".

Connections

Connections Author name Excerpt
Publishing Ellen Wood
The novel had been twice offered to the publishing house of Chapman and Hall , and was recommended by William Harrison Ainsworth . After their reader (novelist George Meredith ) twice rejected it, EW took...
Publishing Harriet Martineau
HM seems to have considered the wide circulation of Dickens 's Household Words too good an opportunity for influence to be passed up. Among the stories she contributed were Woodruffe the Gardener, The People...
Publishing George Eliot
The first number of the Westminster Review to appear under her anonymous (and unpaid) editorship was that of January 1852, which was also the first under John Chapman 's ownership. One of her own contributions...
Publishing Rhoda Broughton
It was a request from Bentley's for rewriting (following a vehemently negative report on Not Wisely, but Too Well in manuscript from reader Geraldine Jewsbury ) that caused RB 's second-written novel to appear in...
Reception Julia Kavanagh
Geraldine Jewsbury defended her: The Hobbies is, on the whole, the most foolish novel we have ever read: its publication is an insult to the public; and that Miss Kavanagh should have strictly refused to...
Reception Georgiana Craik
Geraldine Jewsbury 's Athenæum review found the book somewhat stilted and almost too carefully written. The author is throughout too self-conscious, and the circumspection, excellent virtue as it is, destroys the freedom of motion.
Athenæum. J. Lection.
1573 (1857): 1586
Reception Julia Kavanagh
Jewsbury , again reviewing in the Athenæum, called this work a pleasant contribution to the literature of the times.
Athenæum. J. Lection.
1826 (1862): 528
She continued (folding together the woman writer with her work in a...
Reception Georgiana Craik
Jewsbury only had to wait two years for GC 's next novel, and when it came out she found it on the whole, an improvement on Miss Craik's first work.
Athenæum. J. Lection.
1637 (1859): 354
Reception Charlotte Riddell
The Athenæum review, by Geraldine Jewsbury , saw CR 's release of her actual name as a major literary event. But she thought the novel itself not up to CR's best standard. She found in...
Reception Charlotte Riddell
The Athenæum reviewer for this novel—again Geraldine Jewsbury —thought that CR was back on form in this better-structured, more clearly narrated novel. She admired the way that Heather's character is seen in action, and complained...
Reception Georgiana Craik
Geraldine Jewsbury was quite scathing in her review of the novel for the Athenæum, published early the next year. She wrote that Miss Craik has talent, but she is . . . destitute of...
Reception George Sand
Many other British writers were strongly influenced by GS : Geraldine Jewsbury , Matilda Hays , Anne Ogle , Eliza Lynn Linton , Mathilde Blind , and, most notably, Emily and Charlotte Brontë and George Eliot
Reception Matilda Hays
Jewsbury found inartistic the innovative construction of the narrative, which opens with Lord Charles's second marriage, and then flashes back to introduce Adrienne Hope eight years earlier, so that the story of his wooing of...
Reception Maria Jane Jewsbury
Geraldine Jewsbury made an attempt to compile her sister 's works into a memorial volume. Ultimately, she could not complete the project because the writings were in the hands of MJJ 's husband , who...
Residence Maria Jane Jewsbury
After their wedding MJJ and her husband moved to London, where they stayed at 18 Charlotte Street, Bedford Square, until it was time to leave for India. They stayed at the house of Miss Darby

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