Geraldine Jewsbury

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Standard Name: Jewsbury, Geraldine
Birth Name: Geraldine Endsor Jewsbury
During her life, Geraldine Jewsbury wrote six novels and two books for children. Widely published in Victorian periodicals, she was a respected reviewer, editor, and translator. Her periodical publications ranged from theatre reviews, short fiction, and children's literature to articles on social issues and religion. GJ greatly influenced the Victorian publishing industry and public taste through her position as reviewer for the Athenæum and her role as reader for publishers Richard Bentley and Son and Hurst and Blackett .
Head-and-shoulders photograph of Geraldine Jewsbury. She is wearing a dark, hooded cloak, with a light lace collar and a rose-shaped fastener. Her dark wavy hair is pulled back. Her full signature is reproduced underneath: "Geraldine Endsor Jewsbury".

Connections

Connections Author name Excerpt
Literary responses Sarah Stickney Ellis
It was reviewed for the Athenæum by Geraldine Jewsbury , who considered the topic unsuited to elevated treatment: The existence of this class is a deep and difficult problem, to be treated in sad and...
Literary responses Julia Kavanagh
Writing again for the Athenæum, Geraldine Jewsbury continued to be pleased with JK 's work. She particularly praised the character development here, and claimed that the workmanship is good throughout, and the interest kindled...
Literary responses Augusta Webster
Dramatic Studies as a whole was acclaimed by reviewers. A reviewer in the Westminster Review of October 1866 wrote that Mrs. Webster shows not only originality, but what is nearly as rare, trained intellect and...
Literary responses Frances Browne
Geraldine Jewsbury in the Athenæum called Browne's stories extremely graceful and predicted that they would rejoice the hearts of little folks who are not too proud to read about fairies.
Athenæum. J. Lection.
1519 (1856): 1497
She also...
Literary responses Anne Thackeray Ritchie
Geraldine Jewsbury in the Athenæum saw considerable promise in the book, but blamed it for verging on a treatment of incest which ought to be . . . inadmissable for a novel.
qtd. in
Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages.
67
The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html.
Margaret Oliphant
Literary responses Catherine Hubback
In her review for the Athenæum, Geraldine Jewsbury pronounced this a dreary tale.
qtd. in
Sutherland, John, b. 1938. The Stanford Companion to Victorian Fiction. Stanford University Press, 1989.
Literary responses Georgiana Fullerton
Geraldine Jewsbury , reviewing this novel for the Athenæum, commented that GFalways writes with grace and tenderness, but she is afraid to trust herself to her own gifts. She seems to have a...
Literary responses Sophie Veitch
Geraldine Jewsbury 's review in the Athenæum praised the novel, while it surprisingly downplayed its exciting aspects, arguing that it does not degenerate into anything morbid or sensational. She found it interesting and the subject...
Literary responses Frances Browne
Geraldine Jewsbury , writing for the Athenæum, presumed the author of The Hidden Sin to be male, and congratulated him on an ingenuity of invention which distinguishes it from the ordinary run of sensation...
Literary responses Charlotte Riddell
Geraldine Jewsbury , reviewing The Moors and the Fens for the Athenæum in the year after publication, judged that although it had some interest, it had nothing of nature: The whole story resembles a child's...
Literary responses Henrietta Camilla Jenkin
Elizabeth Gaskell later reported that reviews had been good.
Gaskell, Elizabeth. The Letters of Mrs Gaskell. Editors Chapple, J. A. V. and Arthur Pollard, Harvard University Press, 1967.
527
The Athenæum notice, by Geraldine Jewsbury , was moderately favourable, but by calling it the work of a beginner,
Athenæum. J. Lection.
1593 (1858): 593
The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html.
654 (1840): 371-2
Literary responses Julia Kavanagh
The collection was highly praised by Geraldine Jewsbury , reviewing for the Athenæum.
Athenæum. J. Lection.
1683 (1860): 133
The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html.
Literary responses Sydney Owenson Lady Morgan
The only extended notice of this very interesting work was William Maginn 's hatchet job in Fraser's Magazine, which took Morgan's literary inadequacy for granted, and mercilessly ridiculed both her gender and her nationality...
Literary responses Charlotte Riddell
Geraldine Jewsbury reviewed this novel too for the Athenæum the year after publication, and she found it excellent . . . powerfully and carefully written, far superior to CR 's work heretofore.
Athenæum. J. Lection.
1947 (1865): 233
Literary responses Isabella Banks
Geraldine Jewsbury , reviewing for the Athenæum, called this novel intrepid. But, she wrote, [s]ensational beyond the usual high-water mark, it overflows all the banks and bounds of probability.
Athenæum. J. Lection.
2098 (1868): 54
The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html.

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