Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
2: 469
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Elizabeth Bonhote | EB
turned to William Lane
(who in 1790 was to rename his press Minerva
) to issue, without her name but with mention of her previous works, a novel in three volumes entitled Olivia; or... |
Textual Production | Elizabeth Strutt | ES
published with the Minerva Press
, as Mrs. Strutt, her first work since her second marriage: Genevieve; or, The Orphan's Visit, A Novel. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 469 |
Textual Production | Mary Lady Champion de Crespigny | Mary Champion de Crespigny
published her only novel, The Pavilion, in four volumes, with the Minerva Press qtd. in Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 670 |
Textual Production | Rachel Hunter | It was printed by the Minerva Press
, with 1811 on the title-page. It was advertised in Minerva books of 1813, 1816 and 1817. McLeod, Deborah. The Minerva Press. University of Alberta, 1997. 363 Feminist Companion Archive. The title is sometimes given as The School instead of... |
Textual Production | Alethea Lewis | AL
published, as Eugenia de Acton and with the Minerva Press
, a four-volume novel entitled The Discarded Daughter. This was her last known work. Griffiths, Ralph, 1720 - 1803, and George Edward Griffiths, editors. Monthly Review. R. Griffiths. 63 (1810): 209-10 McLeod, Deborah. The Minerva Press. University of Alberta, 1997. 355 |
Textual Production | Sarah Green | It came out in three volumes from A. K. Newman
of the former Minerva Press
. This time SG
keeps her author's message of apology and defence for the end of the book. |
Textual Production | Mrs Martin | |
Textual Production | Elizabeth Bonhote | EB
published her next novel, Ellen Woodley, again with William Lane
and in the first year of the Minerva Press
. It bore her name and previous titles, but had no preface. Critical Review. W. Simpkin and R. Marshall, 5 series. 69 (1790): 592 McLeod, Deborah. The Minerva Press. University of Alberta, 1997. 4 |
Textual Production | Mary Charlton | MC
published, anonymously, her first, two-volume novel with the Minerva Press
, a work à clef entitled The Parisian; or, Genuine Anecdotes of Distinguished and Noble Characters. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Frances Jacson | FJ
published another novel with the Minerva Press
, this time in four volumes: Disobedience, by the author of Plain Sense. It too was for a long time attributed to Alethea Lewis
. Monthly Magazine. Sherwood, Gilbert, and Piper. 3 (1797): 306, 389 Jacson, Frances. Disobedience. Minerva Press, 1797, 4 vols. title-page |
Textual Production | Helen Craik | Again her publisher was the Minerva Press
. A Dublin edition appeared during the same year. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 113 |
Textual Production | Mrs F. C. Patrick | MFCP
anonymously published the first of her three books, The Irish Heiress, A Novel, with William Lane
of the Minerva Press
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 1: 724 |
Textual Production | Alethea Lewis | The publisher was the Minerva Press
; AL
added to her pseudonym author of The Microcosm , A Tale Without a Title, etc.—even though the second of these was still in press. The book... |
Textual Production | Jane West | JW
published with the Minerva Press
, under the name of the fictional Prudentia Homespun, The Advantages of Education, or, The History of Maria Williams. A Tale for Misses and their Mammas. Prudentia... |
Textual Production | Sarah Green | This too was in three volumes from A. K. Newman
of the former Minerva Press
. Its title-page quotes Byron
. |
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