Szladits, Lola. “A Victorian Literary Correspondence: Letters from Julia Pardoe to Sir John Philippart, 1841-1860”. Bulletin of the New York Public Library, Vol.
55
, 1951, pp. 367-78. 368
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Virginia Woolf | VW
left a mass of manuscript material, now mostly housed at the University of Sussex
in Brighton (Monks House Papers) and in the Berg Collection in the New York Public Library
. Both these collections... |
Textual Production | Julia Pardoe | The Berg Collection of the New York Public Library
holds a series of 74 holograph letters written by JP
to Sir John Philippart
between 1841 and 1860. Szladits, Lola. “A Victorian Literary Correspondence: Letters from Julia Pardoe to Sir John Philippart, 1841-1860”. Bulletin of the New York Public Library, Vol. 55 , 1951, pp. 367-78. 368 |
Textual Production | Ella Wheeler Wilcox | EWW
's papers are divided between several archives, including the State Historical Society of Wisconsin
, Columbia University
, and the New York Public Library
. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Production | Anna Atkins | It appeared before Fox Talbot
's The Pencil of Nature, 1844-6, which does not therefore, technically, deserve being called, as it sometimes is, the first photobook. But his work, unlike Atkins's, was commercially... |
Textual Production | Sylvia Townsend Warner | Susanna Pinney began working for STW
in 1970 (shortly after Ackland's death), and typed the entire collection of letters between the two women. Warner, Sylvia Townsend, and Valentine Ackland. “Editor’s Note”. I’ll Stand By You: Selected Letters of Sylvia Townsend Warner and Valentine Ackland, edited by Susanna Pinney, Pimlico, 1998, p. vii - viii. vii |
Textual Production | Kate Greenaway | This book was first published in three or four distinct editions, variously bound. An unauthorized edition appeared in the USA the next year, from McLoughlin Brothers
, who pirated other publications by KG
... |
Textual Production | W. H. Auden | The major collections of WHA
's papers are at the New York Public Library
and the Harry Ransom Humanities Research Center
. |
Textual Production | Melesina Trench | With this work she staked out a position in the tradition of women campaigners and pamphleteers going back in England to the mid-seventeenth century. She was responding to an article in the Treaty of Paris... |
Textual Production | Melesina Trench | It appears from the only two extant library listings of this tract or broadside (in the New York Public Library
and the University of Texas at Austin
) that the title was added in Trench's... |
Textual Production | Elizabeth Beverley | The only known copy dated this year is at the University of California at Davis
. The British Library
's four copies include the allegedly fourth and sixth editions, and the New York Public Library |
Textual Production | Melesina Trench | Once more only a single copy survives, at the New York Public Library
. The Customs and Excise tax on salt imported from foreign countries, and into England from Scotland, was widely felt to be... |
Textual Production | Harriett Jay | The two arrived in New York with the completed work, but the managers rejected it. Buchanan decided to stage it himself at the Chestnut Street Theatre
in Philadelphia, where it first appeared on 30... |
Textual Production | Elizabeth Barrett Browning | As her reputation recovered in the later part of the century, fine editions of particular works began to emerge: Julia Markus
's edition of Casa Guidi Windows, 1977, and Margaret Reynolds
's landmark edition... |
Textual Production | Harriett Jay | A prompt-book for a New York performance of 1907 survives at the New York Public Library
. OCLC WorldCat. 1992–1998, http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Margaret Bryan | The work was based on a series of thirteen lectures given at her school. It was dedicated to Princess Charlotte
and to Charles Hutton
, scientist and writer, and published by subscription. Subscribers included 157... |
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