Blunt, Reginald, and Elizabeth Montagu. Mrs Montagu, "Queen of the Blues", Her Letters and Friendships from 1762 to 1800. Constable, 1923, 2 vols.
1: 122
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Elizabeth Carter | His title was Letters from Mrs. Elizabeth Carter to Mrs. Montagu, between the years 1755 and 1800; the title-page pointed out that he was also the owner of the actual letters. The Montagu Collection... |
Textual Production | Dorothy White | Following Priscilla Cotton
but preceding Margaret Fell
, DW
defended women's preaching in A Call from God Out of Egypt, by His Son Christ the Light of Life, which is partly in verse (a... |
Textual Production | Amelia Opie | AO
was an indefatigable letter-writer. Her surviving correspondence at the Huntington Library
includes 331 letters (1794-1850). Most are written by her to her cousin Eliza (Alderson) Briggs
or her husband; a few are from her... |
Textual Production | Elizabeth Montagu | A new edition followed in June 1765. Blunt, Reginald, and Elizabeth Montagu. Mrs Montagu, "Queen of the Blues", Her Letters and Friendships from 1762 to 1800. Constable, 1923, 2 vols. 1: 122 |
Textual Production | Mary Lady Chudleigh | According to George Ballard
, MLC
left in manuscript occasional poems, imitations and translations of Lucian
(also translated by Lucy Hutchinson
), two tragedies, two operas, and a masque. Chudleigh, Mary, Lady. “Introduction”. The Poems and Prose of Mary, Lady Chudleigh, edited by Margaret J. M. Ezell, Oxford University Press, 1993, p. xvii - xxxvi. xxxv |
Textual Production | Hannah More | HM
was a formidably energetic letter-writer all her life, from her early visits to London, which produced scintillating and gossippy letters home, to her old age. Individual collections reached print, like those to Zachary Macaulay |
Textual Production | Frances Power Cobbe | The Women's Library
holds papers of FPC
including contributions to several archives of letters. Particularly interesting is a scrapbook of cuttings, cartoons, etc. (mostly on the suffrage struggle, dating from 1893-1913). Cobbe gave this volume... |
Textual Production | Eglinton Wallace | The play was too long, so some passages were omitted in performance. Wallace, Eglinton. The Ton, or Follies of Fashion. A Comedy. T, Hookham, 1788. iv “Eighteenth Century Collections Online”. Gale Databases. |
Textual Production | Margaret Holford | It was published, undated, at London and Chester, with MH
's name and mention of her previous works, by October 1799. Critical Review. W. Simpkin and R. Marshall, 5 series. (1799) 27:236 |
Textual Production | Sarah Wentworth Morton | A large collection of SWM
's manuscripts is held by the Huntington Library
in California. They include some markedly different versions of poems published in My Mind and its Thoughts (like an ode addressed... |
Textual Production | An Collins | Only one copy is known to have survived (at the Huntington Library
: shelfmark 54047). This copy was once in the collection of Sir Mark Sykes
, husband of novelist Henrietta Sykes
.. Graham, Elspeth et al., editors. Her Own Life. Routledge, 1989. 56 |
Textual Production | Eglinton Wallace | The manuscript is now in the Huntington Library
: Larpent 1093. The full title, as published with EW
's name, was The Whim, A Comedy. . . . With an Address to the Public, upon... |
Textual Production | Elizabeth Inchbald | Its anonymous manuscript survives as Larpent 952 in the Huntington Library
entitled Lovers No Conjurors. |
Textual Production | Elizabeth Margravine of Anspach | As Lady Craven, the future EMA
had several of her plays (light farces, pantomimes, and fables) privately performed. From the late 1770s onwards they were given for the benefit of the poor of... |
Textual Production | Hannah Cowley | She was said to have begun it on impulse when her husband laughed at her claim that she could produce something better than another play which they had just seen and disliked. She finished it... |
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