Michael Billington

Reviewer Michael Billington felt that the plot of Blackbird had a traditional feel—that using a death to precipitate a dispute over physical and emotional ownership was, along with other elements in the play, derivative...

Reviewer Michael Billington especially admired the vigour and irony of O'Brien's language.

Michael Billington found the final section reminiscent of Samuel Beckett. He wrote: While initially it seems slight, I find it's grown steadily in the mind since I saw it.

Some reviews (from Michael Billington , for instance) were favourable; others were stinkers, complaining of melodrama and missed opportunity. Since the critics' night followed the Evening Standard theatre awards (a notoriously boozy mid-day occasion),...

In 2018 critic Michael Billington described the play as insightful, honest, and shocking. Its shock was topical: audiences gasped when a character told he can escape deportation by securing his citizenship for fifty pounds bitterly...

Reviewer Michael Billington thought highly of this exciting, provocative play, in which he discerned the same epic reach as in TW 's recent radio adaptation of War and Peace.

Michael Billington wrote that Wine in the Wilderness is about the moral value of personal truth, while Wateris about the commercial value of artistic lies.Kate Kellaway discerned in this play a rage over...

Michael Billington in the Guardian called the whole ensemble an engrossing evening and a potent reminder that theatre, among its myriad other functions, has a mission to inform.

Michael Billington wrote that Slovo's skillfully edited pieceasks the right questions in a way that is clear, gripping and necessary. He also wrote: It is fascinating. But is it theatre? He then answered his...

Most reviewers preferred the first part. Michael Billington , reviewing for The Guardian, praised the play as less an anti-war diatribe than a feeling of the texture of ordinary lives.

Michael Billington found this play richly informative and utterly compelling. But Nadia Latif and Omar El-Kairy (whose own play about the radicalisation of young British Muslims, Homegrown, was banned—unjustly, said Billington) questioned the objectivity...

LP was so moved that she wept as she wrote this play. She later perceived an autobiographical element in it. Reviewers were on the whole less impressed than they had previously been by Page...

This play brought PG 's work to the attention of critics and playgoers alike. While reviews were generally quite positive, some had difficulty accepting the play's feminist perspective. For instance, Ted Whitehead in The Spectator...

Trevor Nunn , director of Frozen, says that BL picks the most difficult subjects and faces them head-on, and finds that the writing is wonderfully spare and wonderfully poetic. In England Frozen won two...

Michael Billington judged that this play felt like cramming a trunkload of ideas into a tiny case; that being too compressed for its own good made it less successful than the dazzlingLove and Information.