Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Zadie Smith | These essays are a paradox: colloquial and popular in their enthusiasms, effortlessly learned in their handling. Smith is highly personal as she recounts her cultural discoveries: of a biracial chareacter claiming liberty of creative freedom... |
Intertextuality and Influence | E. Nesbit | The title, condensed from two lines in Wordsworth
's Ode on the Intimations of Immortality, alludes to the dimming and flattening of once-acute sensations. One of these poems says that Love can never be... |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. qtd. in L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett, 1882, 2 vols. 1: 263-4 |
Intertextuality and Influence | Catherine Hubback | CH
heads her volumes and chapters with quotations. Wordsworth
is the most-used here; among other lines, he is cited for A little onward lend thy guiding hand / To these dark steps, a little farther... |
Intertextuality and Influence | Christina Rossetti | |
Intertextuality and Influence | Eleanor Anne Porden | EAP
was projecting an essay periodical in 1815 (she had the first two numbers planned) when this long poem, written at sixteen, appeared. At about the same time she was reading Wordsworth'sRecluse and poems... |
Intertextuality and Influence | Elizabeth Ogilvy Benger | Of the anthology poems, The Ship's Return is a ballad in which a lover fails to return with his ship, and A Sketch pictures a mother with her baby. One of the magazine pieces, Retrospection... |
Intertextuality and Influence | Catherine Fanshawe | One of the poems, a delightful Ode which imitates or parodies several well-known passages in various works by Gray
, was written not by CF
but by her friend Mary Berry
, some time before... |
Intertextuality and Influence | Meiling Jin | In the introduction to the book of poems that was her first publication, MJ
noted that poetry was a form of expression that comes easier to me than most others. This state of affairs was... |
Intertextuality and Influence | Elizabeth B. Lester | There follows a series of six stories under the general title A Sketch from the Parlour of my Inn, three of which open with quotations from William Wordsworth
. The final story in this... |
Intertextuality and Influence | Elizabeth Melvill | Comments on Ane Godlie Dreame, though sparse, have been persistent. John Livingstone
recorded that she was famous for her dream anent her spirituall condition. qtd. in Baxter, Jamie Reid. “Elizabeth Melville, Lady Culross: new light from Fife”. The Innes Review, Vol. 68 , No. 1, May 2017, pp. 38-77. 40 |
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
Intertextuality and Influence | Mary Robinson | Her postscript to the volume invokes Wordsworth
as model (as, indeed, her title invokes the joint work of Wordsworth and Coleridge
). Her titles (like The Shepherd's Dog and The Poor, Singing Dame) copy... |
Intertextuality and Influence | Elizabeth Jolley | The narrative voice (a Scottish one, apparently as a kind of joke) is complex and shifting, with irony fed by unstable reference to the central couple (now Muriel and Henry, now Mother and Father, and... |
Intertextuality and Influence | A. S. Byatt | The painter Van Gogh
is a constant presence in this highly allusive novel, which takes Stephanie Potter, now Orton, through pregnancy and birth (while she tries to hold on to her former identity by reading... |
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