qtd. in
Feminist Companion Archive.
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Maria Edgeworth | It opens with a breezy, antifeminist, adversarial Letter from a Gentleman to his Friend. The gentleman is hostile to female education and female authorship; his letter is based on one actually sent by Day |
Literary responses | Maria Edgeworth | John Ward, later Earl of Dudley
, who had at first admired ME
's tales, later compared her to her disadvantage with Jane Austen
(whose name, however, he did not know) and suspected Richard Lovell Edgeworth |
Literary responses | Barbara Hofland | |
Literary responses | Maria Elizabetha Jacson | On 24 August 1795Erasmus Darwin
and Sir Brooke Boothby
wrote a joint letter to Maria Jacson in praise of Botanical Dialogues, which they had read in manuscript. They even expressed the hope that... |
Literary responses | Susanna Watts | Mary Pilkington
and others praised SW
's translations in manuscript. John Heyrick
(husband of her friend Elizabeth) called her the elegant translator of Tasso in his First Flights, published in 1797. qtd. in Feminist Companion Archive. |
Literary responses | Sydney Owenson Lady Morgan | Meanwhile the vogue for The Wild Irish Girl was immense: Dublin ladies were wearing scarlet cloaks and golden bodkins, as Glorvina and as Owenson did. Campbell, Mary, 1917 - 2002. Lady Morgan: The Life and Times of Sydney Owenson. Pandora, 1988. 71-2 |
Literary responses | Anna Letitia Barbauld | The Critical Review gave high praise to each of the series. So did the Monthly, which also cracked her anonymity from the beginning. Critical Review. W. Simpkin and R. Marshall, 5 series. 46 (1778): 160; 47 (1779): 320 McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008. 191-2 |
Literary responses | Anna Letitia Barbauld | Richard Lovell Edgeworth
, in a long private commentary written on these books, objected strongly to the question to Puss about the rabbit as likely to bemuse and terrify a child. McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008. 199n30 |
Literary responses | Anna Letitia Barbauld | Though the first review to appear, in the Monthly Repository, expressed admiration (and some anti-war feeling), McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press, 2008. 476 |
Material Conditions of Writing | Maria Edgeworth | She wrote Ormond (120,000 words) in three months; her father
wrote an address to the reader for it a few days before he died. Butler, Marilyn. Maria Edgeworth: A Literary Biography. Clarendon, 1972. 290 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 445 |
Occupation | Mary Sewell | In her later education of her own children, MS
was deeply influenced by Richard
and Maria Edgeworth
's educational principles. Her children were educated in the values of thrift, self-reliance, and service to others, and... |
Performance of text | Maria Edgeworth | The Edgeworth family first acted Whim for Whim, a comedy by ME
and her father
, at home at Edgeworthstown. Butler, Marilyn. Maria Edgeworth: A Literary Biography. Clarendon, 1972. 164-5 |
politics | Maria Edgeworth | Richard Lovell Edgeworth
, with ME
and the rest of the family, were forced to leave their house to escape the Catholic rebels. Butler, Marilyn. Maria Edgeworth: A Literary Biography. Clarendon, 1972. 138 |
Publishing | Susanna Watts | It has not been traced. Edgeworth also reported: My father
is afraid, though she has considerable talents, to recommend her to Johnson
, lest she should not answer. Watts, Susanna. Scrapbook. 11 Feb. 1834. |
Publishing | Sarah Tytler | ST
found in J. A. Froude
of Fraser's Magazine a very agreeable editor who gave his contributors a free hand, was sympathetic, could pay a cordial compliment, while such criticism as he offered was gentle... |
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