Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Mary Louisa Molesworth | MLM
had the habit of reading her stories to her own children from manuscripts tucked inside the covers of printed books, so that she would be able to solicit their opinion and know them to... |
Literary responses | E. Nesbit | When EN
asked Bernard Shaw
to review the first Lays and Legends for To-Day, he responded with a pretend review contained in a letter, a masterpiece in faint praise: The author has a fair... |
Occupation | Robert Williams Buchanan | RWB
was a poet, essayist, novelist, and playwright. After arriving in London in 1859, he was engaged by the Athenæum. He wrote for several other periodicals, and became known for his attacks on Dante Gabriel Rossetti |
Occupation | Marie Corelli | Charles MacKay
, now finding it difficult to write, became increasingly pressed to procure a healthy income. Fortunately, one of his physicians was impressed with MC
's piano-playing and he offered his drawing-room for a... |
Publishing | Ella Wheeler Wilcox | She wrote later that the idea for this book came to her when love-poems, which she had printed in journals but deliberately not included in Maurine, aroused strong interest and requests for copies. Jansen and McClurg |
Reception | Laurence Hope | The Oxford Dictionary of National Biography notes the influence of Swinburne
and the Pre-Raphaelites on this and later volumes by LH
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Reception | Sappho | In England, Swinburne
helped promote a newly sexualized and aestheticized Sappho with Anactoria in Poems and Ballads (1866). |
Reception | Mathilde Blind | Again, however, the Athenæum had a reservation: this time the influence of Swinburne
, which it detected in alliteration and other points of technique. Athenæum. J. Lection. 3221 (20 July 1889): 87 |
Residence | Alison Uttley | She was excited by her first experience of the south, and called Cambridge a city of light. qtd. in Judd, Denis. Alison Uttley. Michael Joseph, 1986. 65 |
Textual Features | A. Mary F. Robinson | |
Textual Features | Elizabeth Barrett Browning | The poem is innovative in its blend of novelistic discourse and subject-matter—its depiction of the urban landscape and contemporary social issues including wife-beating and prostitution were indebted to both the English and French novel—with the... |
Textual Features | Rosamund Marriott Watson | Some of the fifteen poems chronicle the end of a love affair, perhaps foreshadowing her own marital crisis. Scholar Linda K. Hughes
notes the influence of Christina
and Dante Gabriel Rossetti
, Jean Ingelow
... |
Textual Features | Rosamund Marriott Watson | Betty Barnes, The Book Burner was probably inspired by Walter Scott
's account of a cook who used her employer's manuscript collection to fuel a fire and line pie-tins. Blain, Virginia, editor. Victorian Women Poets: A New Annotated Anthology. Longman, 2001. 264 |
Textual Features | Willa Cather | A. S. Byatt
finds in this volume a mournful Arcadian tone, thinly ecstatic, and owing much to Swinburne
and Housman
. Byatt, A. S., and Willa Cather. “Introduction”. A Lost Lady, Virago, 2000, p. v - xiv. v |
Textual Features | Mollie Panter-Downes | MPD
recreates the odd household of Watts-Dunton
and Swinburne
in Putney, the backwoods of West London, Panter-Downes, Mollie. At The Pines. Hamish Hamilton, 1971. 1 qtd. in Panter-Downes, Mollie. At The Pines. Hamish Hamilton, 1971. 18 |
Timeline
No timeline events available.
Texts
No bibliographical results available.