Virginia Blain

Standard Name: Blain, Virginia

Connections

Connections Sort descending Author name Excerpt
Reception L. E. L.
More recently, however, LEL has been subject to critical revaluation, as feminist critics have questioned the historical processes and aesthetic standards that led to her exclusion from the literary canon, and are developing increasingly complex...
Textual Features Caroline Bowles
Virginia Blain calls CB 's The Murder Glen, a highly popular poem which had first appeared in Blackwood's, a grim tale of incestuous adultery, child abuse, wife-bashing, and murder.
Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate, 1998.
216
Textual Features Michael Field
The collection is divided into four books. In the third book, A Girl is Katharine's tribute to Edith's beauty, her face flowered for heart's ease.
Field, Michael. Underneath the Bough. G. Bell and Sons, 1893.
68
She celebrates their unique poetic collaboration by saying: I...
Textual Features Rosamund Marriott Watson
Virginia Blain calls the title piece a haunting and mysterious poem . . . . based on the idea of regret for lost love.
Blain, Virginia, editor. Victorian Women Poets: A New Annotated Anthology. Longman, 2001.
258
Vespertilia (literally meaning the female of a particular species of...
Textual Features Rosamund Marriott Watson
Another poem here, The Quern of the Giants, reworks the Icelandic legend of Fenia and Menia, two giant sisters forced into turning millstones for King Frodi. Their endless work greatly benefits their captor until...
Textual Features Eliza Mary Hamilton
Scholar Virginia Blain argues that the poem works to highlight challenges placed before early Victorian women writers, namely the dilemma posed for the woman of genius who aspires to fame within a culture where the...
Textual Features Eliza Mary Hamilton
The sonnet reads:Leave us not voiceless! Israel's Deborah sang; / And Miriam to her timbrel.
qtd. in
Blain, Virginia. “Letitia Elizabeth Landon, Eliza Mary Hamilton, and the Genealogy of the Victorian Poetess”. Victorian Poetry, Vol.
33
, No. 1, 1 Mar.–31 May 1995, pp. 31-51.
47
According to Virginia Blain , EMH 's verse invokes the biblical lineage of the prophetess as song-writer.
Blain, Virginia. “Letitia Elizabeth Landon, Eliza Mary Hamilton, and the Genealogy of the Victorian Poetess”. Victorian Poetry, Vol.
33
, No. 1, 1 Mar.–31 May 1995, pp. 31-51.
47
Textual Features Caroline Bowles
The letter assumes a semi-mocking tone and takes the Shepherd to task for mistreating his dog. Bowles writes: How could you find in your heart to part with him as you did? To transfer him...
Textual Production Caroline Bowles
She was in great financial need at the time. Virginia Blain observes that Bowles's plans for these reprints, however, were not pursued with enough consistency or vigour to be realised.
Blain, Virginia. Caroline Bowles Southey, 1786-1854. Ashgate, 1998.
213
Textual Production Margaret Sandbach
Critic Virginia Blain calls MS 's book probaby the best of her several prose fictions.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.

Timeline

No timeline events available.

Texts

Blain, Virginia, editor. Victorian Women Poets: A New Annotated Anthology. Longman, 2001.
Hickok, Kathleen. “Why is this Woman Still Missing? Emily Pfeiffer, Victorian Poet”. Women’s Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830-1900, edited by Isobel Armstrong and Virginia Blain, Macmillan Press, 1999, pp. 373-89.
Armstrong, Isobel, and Virginia Blain, editors. Women’s Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830-1900. St Martin’s Press, 1999.