qtd. in
Murray, Isobel. “Sidonia the Sorceress: Pre-Raphaelite Cult Book”. Durham University Journal, Vol.
75
, No. 1, 1982, pp. 53-7. 53
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Algernon Charles Swinburne | After leaving Eton
, he met Lady Pauline
and Walter Trevelyan
, who became longtime friends and supporters. At Oxford he was first introduced to the Pre-Raphaelites
, and he forged friendships with Dante Gabriel Rossetti |
Intertextuality and Influence | Charlotte Yonge | This was one of the most popular novels of the nineteenth century. Two years after it appeared it was the favourite choice of young officers in hospital during the Crimean War. A guardsman confessed that... |
Intertextuality and Influence | Jane Francesca Lady Wilde | Elgee's translation gained this novel a wider audience. In later years Dante Gabriel Rossetti
developed a positive passion for it, and it became very popular with the Pre-Raphaelites
. qtd. in Murray, Isobel. “Sidonia the Sorceress: Pre-Raphaelite Cult Book”. Durham University Journal, Vol. 75 , No. 1, 1982, pp. 53-7. 53 |
Leisure and Society | Eliza Lynn Linton | She enjoyed going to and hosting prominent literary and social receptions. Her guests included a wide range of people: popular writers such as Rudyard Kipling
, Marie Corelli
, and Frank Harris
; luminaries of... |
Leisure and Society | L. T. Meade | These tastes leaned to the pre-Raphaelite, with Morris
hangings and photogravures after Burne-Jones
and Watts
. Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode, 1896. 222, 228 Black, Helen C. Pen, Pencil, Baton and Mask: Biographical Sketches. Spottiswoode, 1896. 223 |
Leisure and Society | Lady Cynthia Asquith | LCA
, who was renowned for her beauty, was painted in her youth by Sir Edward Burne-Jones
. She wrote later of his Garden Studio at The Grange in North End Lane, Fulham that its... |
Literary responses | Louisa Baldwin | Her brother-in-law Edward Burne-Jones
seems to have aimed at kindness in his response to the work: he wrote to her that he had some criticism but as a whole I thought it admirable. qtd. in Baldwin, Arthur Windham, third Earl. The Macdonald Sisters. Peter Davies, 1961. 143, 197 |
Literary responses | Dinah Mulock Craik | Despite her bracing sense of purpose, slightly younger contemporaries like William de Morgan
and Edward Burne-Jones
found her Heroines of Romance simply bores. qtd. in Cruse, Amy. The Victorians and Their Books. George Allen and Unwin, 1935. 318 |
Literary responses | Mary Augusta Ward | The novel was a massive success, in the words of Henry Jamesa momentous public event. qtd. in Ward, Mary Augusta. “Introduction”. Robert Elsmere, edited by Rosemary Ashton, Oxford University Press, 1987, p. vii - xviii. vii |
Occupation | Louisa Baldwin | Before she was twenty she exercised her artistic gifts in making woodcuts, and sat as a model to her brother-in-law Burne-Jones
and others. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. under Macdonald sisters |
Occupation | William Morris | Founding members of the Firm included Ford Madox Brown
, Edward Burne-Jones
, Dante Gabriel Rossetti
, and Philip Webb
, in addition to the proprietors. Maas, Jeremy. Victorian Painters. Barrie and Jenkins, 1978. 15 Spencer, Robin. The Aesthetic Movement: Theory and Practice. Studio Vista, 1972. 15 |
Occupation | William Morris | |
Residence | Rudyard Kipling | They lived for a short period in Devon and then settled at The Elms in Rottingdean, Sussex, near his uncle and aunt Sir Edward
and Lady Burne-Jones
. This was where their third child,... |
Residence | William Morris | He moved to London when his employer, G. E. Street
, relocated his office to the city. Morris lived with Burne-Jones
at 1 Upper Gordon Street, Bloomsbury, and later at 17 Red Lion Square. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Residence | Enid Bagnold | The house had once belonged to artist Sir Edward Burne-Jones
. EB
had a private tower room for writing and an agreement with her husband that she would have three undisturbed hours daily for her... |
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