Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Jane Austen | The plot of this novel is a version of a romance archetype: poor but deserving girl confounds all expectations by marrying up. Elizabeth Bennet is the quintessence of the witty and resourceful heroine who had... |
Textual Features | Barbara Pym | Several critics have noted the influence on this novel of Charlotte Brontë
. Wyatt-Brown, Anne M. Barbara Pym: A Critical Biography. University of Missouri Press, 1992. 86-90 Wyatt-Brown, Anne M. Barbara Pym: A Critical Biography. University of Missouri Press, 1992. 41, 57 |
Textual Features | Ruby M. Ayres | Dark Gentleman carries an unascribed epigraph from Caroline Norton
: Until I truly loved—I was alone. Ayres, Ruby M. Dark Gentleman. Hodder and Stoughton, 1953. title-page |
Textual Production | Mary Taylor | MT
's writing is driven by passion for social change. After reading her friend Charlotte Brontë
's Jane Eyre, she responded: You are very different from me in having no doctrine to preach.... |
Textual Production | Emily Brontë | |
Textual Production | Michelene Wandor | MW
has specialized in adapting and abridging novels for radio. Between 1980 and 2004 she adapted a wide array of fiction by women writers, including works by Jane Austen
, Charlotte Brontë
, George Eliot |
Textual Production | Caroline Bowles | Southey had proposed the project in 1823. Bowles had great difficulty mastering its stanza form, which was based on that of his early poem Thalaba the Destroyer, 1801. There is little doubt he expressed... |
Textual Production | Emily Brontë | |
Textual Production | Margaret Oliphant | Oliphant's contribution was The Sisters BrontëEmily BrontëAnne Brontë, a sharply perceived and proto-feminist analysis. Jay, Elisabeth. Mrs Oliphant: "A Fiction to Herself": A Literary Life. Clarendon Press, 1995. 343 |
Textual Production | Jean Plaidy | JP
had begun writing some years before this first publication. Bennett, Catherine. “The Prime of Miss Jean Plaidy”. The Guardian, 4 July 1991, pp. 23-4. 23 |
Textual Production | Emily Brontë | The publishers
of Jane Eyre bought up the remaining copies of Poems by Currer
, Ellis
, and Acton
Bell and reissued it. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul, 1974. 9, 64 |
Textual Production | Elizabeth Gaskell | EG
received a letter from Patrick Brontë
asking her to write his daughter Charlotte
's biography. Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber, 1993. 392, 656n9 |
Textual Production | Emma Jane Worboise | EJW
published her purified and evangelicalized reworking of Charlotte Brontë
's Jane Eyre under the title Thornycroft Hall: Its Owners and its Heirs. Athenæum. J. Lection. 1940 (1864): 893 Jay, Elisabeth. The Religion of the Heart: Anglican Evangelicalism and the Nineteenth-Century Novel. Clarendon Press, 1979. 246 |
Textual Production | Anne Thackeray Ritchie | She followed it up in in her address of 10 January 1913 as President of the English Association
, published in pamphlet form as A Discourse on Modern Sibyls, as well as in From... |
Textual Production | Patricia Beer | PB
's Reader, I Married Him: A Study of the Women Characters of Jane Austen
, Charlotte Brontë
, Elizabeth Gaskell
, and George Eliot was a harbinger of serious critical interest in the women's literary tradition. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. Sherry, Vincent B., editor. Dictionary of Literary Biography 40. Gale Research, 1985. 25 |
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