George Sand

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Standard Name: Sand, George
Birth Name: Amantine Aurore Lucile Dupin
Married Name: Amantine Aurore Lucile Dudevant
Pseudonym: George Sand
French writer George Sand (Aurore Dudevant) wrote over one hundred novels and plays. Her correspondence fills twenty-five volumes. She averaged two novels a year after 1831. British writers including Elizabeth Barrett Browning and George Eliot were strongly influenced by her writing, and her notorious life became one of the benchmarks by which women writers were judged.
Jordan, Ruth. George Sand: A Biographical Portrait. Taplinger, 1976.
xiv
Black and white photograph of George Sand by Nadar, 1864. She is seated, wearing a broad skirt and matching poncho top in thin stripes dress with a dark blouse underneath, a tassel on a long string around her neck, and dangling earrings. Her dark hair, greying a little along the centre parting, is jaw-length and curly.

Connections

Connections Author name Excerpt
Friends, Associates Jane Welsh Carlyle
Markus also speculates that Jane is the inspiration for the unhappily married character of Alice Bryant in Jewsbury's novel The Half Sisters.
Markus, Julia. Across An Untried Sea: Discovering Lives Hidden in the Shadow of Convention and Time. Alfred A. Knopf, 2000.
141
Jane helped edit the novel for Geraldine, but was later dismayed...
Friends, Associates Bessie Rayner Parkes
BRP knew personally and corresponded with many of the Victorian intelligentsia. In addition to her Langham Place associates already mentioned, her literary friends and acquaintances included Matilda Hays , Harriet Martineau , Anthony Trollope ,...
Friends, Associates Violet Hunt
VH greatly admired West , and used their interaction as a spring board from which she delved into issues about women and writing. In 1926, for instance, she compared West physically and intellectually to George Sand
Intertextuality and Influence Isa Blagden
To George Sand : On Her Interview with Elizabeth Barrett Browning contrasts the two poets and their work. IB represents Barrett Browning as a paragon of stainless femininity, Sand as a fettered maniac with a...
Intertextuality and Influence Isak Dinesen
Many of ID 's favourite motifs appear here fully formed: cross-dressing, siblings of opposite sexes who seem like aspects of each other, royal personages (Danish) corrupted by patriarchy, young women threatened by misogynistic patriarchy, other...
Intertextuality and Influence Susan Tweedsmuir
The opening proper of this volume invokes with some trepidation George Sand 's statement that there is nothing more tedious than the dregs of an old régime.
Tweedsmuir, Susan. A Winter Bouquet. G. Duckworth, 1954.
20
Again the structure of the book is...
Intertextuality and Influence George Douglas
People in Cherry Garth think Denis strange and unladylike; Celia dissembles her jealousy, but does not forgive; Denis's only sympathiser is the Jewish farmer Octave Von Donop, a close friend of Tom's and another avowed...
Intertextuality and Influence Mary Elizabeth Braddon
Waters argues that MEB ought not to be condemned for clichés that she herself helped to establish. Rather we should examine them and the genre of the detective or sensation novel as an index of...
Intertextuality and Influence Adelaide Kemble
Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of...
Intertextuality and Influence Mary Elizabeth Braddon
Ishmael is set in Brittany and Paris, mainly between 1850 and 1867, during the reign of Louis Napoleon . The title character is the son of a Breton aristocrat, despised by his father on...
Intertextuality and Influence Charlotte Brontë
Given CB 's intensive reading in French in the 1840s, some critics have concluded that she read George Sand during the period when she was moving her writing from the world of the juvenilia to...
Intertextuality and Influence Deborah Levy
This book has four sections, each titled from a reason for writing, Political Purpose, Historical Impulse, Sheer Egoism, and Aesthetic Enthusiasm. The first and last describe a period of near-breakdown that...
Intertextuality and Influence Matilda Hays
She dedicated it to an unnamed woman: Her, whose love has for years endeared life and filled it with Belief in the true and the beautiful.
qtd. in
Merrill, Lisa. When Romeo Was a Woman. University of Michigan Press, 1999.
157
Sources suggest that this novel was influenced by...
Intertextuality and Influence Michèle Roberts
The title story uses mud or muddy almost thirty times. MR writes, as always, as a feminist; these stories occupy a borderline between the self-making of women and their appropriation into patriarchal stories. She enjoys...
Intertextuality and Influence John Oliver Hobbes
Pearl Richards (later JOH ) read widely as a child and adolescent, and her parents' liberal views (and considerable fortune) meant that she could pursue her tastes in both the lending libraries and the less...

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