Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Frances Sheridan | Sidney Bidulph was also influential. It helped shape the depiction of unhappy marriage in Lennox
's Euphemia. Catto, Susan J. Modest Ambition: The Influence of Henry Fielding, Samuel Richardson, and the Ideal of Female Diffidence on Sarah Fielding, Charlotte Lennox, and Frances Brooke. University of Oxford, 1998. 204 |
Intertextuality and Influence | Frances Sheridan | Garrick
's reply did not take up Sheridan's points about the play's content. Instead he feigned comic alarm at a challenge from a lady, and defended his own managerial practice with lavish use of the... |
Literary responses | Margaret Oliphant | MO
's Sheridan for the English Men of Letters series, 1883, was universally decried. The charges against it included inaccuracy and excess of moral blame for the man as opposed to the writer. Kirk, John Foster, and S. Austin Allibone, editors. A Supplement to Allibone’s Critical Dictionary of English Literature and British and American Authors. J. B. Lippincott, 1891, 2 vols. 2: 1192 |
Literary responses | Frances Burney | The reanimation of FB
's comedies is a happy story. Tara Ghoshal Wallace
edited A Busy Day in paperback in 1984. A fringe production performed in Bristol in 1993, then in Islington, London, in... |
Literary responses | Elizabeth Griffith | This play succeeded on stage in the teeth of a cabal against it. The Critical Review gave a somewhat mixed message, saying the play would have been thought excellent if only that wicked wit, Sheridan |
Literary Setting | Charlotte Maria Tucker | This, one of her most lively and engaging children's books, features a main character named Ratto, who wanders through the world from London to Russia, eventually joining up with a rat-hero named Whiskerandos. This... |
Occupation | Mary Robinson | Soon after her husband's release, MR
was introduced to the theatre manager Sheridan
, to whom she recited passages of Shakespeare as a sample of what she could do. Robinson, Mary. Perdita: The Memoirs of Mary Robinson. Editor Levy, Moses Joseph, Peter Owen, 1994. 86 |
Occupation | Naomi Jacob | One stage part she hated playing was one of those foul-mouthed and golden-hearted old women, who drink, swear, steal, and in fact do everything but murder, and yet retain hearts as pure as the driven... |
Occupation | David Garrick | Drury Lane Theatre
was left in parlous condition at the retirement of David Garrick
; the next manager to make his mark on it was Richard Brinsley Sheridan
, who now became joint-manager with three others. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 5-6 |
Occupation | Mary Cowden Clarke | |
Occupation | Thomas Moore | TM
later established himself as a biographer with a string of books: Memoirs of the Life of the Right Honourable Richard Brinsley Sheridan (1825), an edition of Letters and Journals of Lord Byron (1830), and... |
Performance of text | Anne Plumptre | AP
was paid £25 for the use by Sheridan
and the Drury Lane Theatre
of her translation of Kotzebue
's Die Spanier in Peru. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 2178 |
Performance of text | Eliza Parsons | It shared the bill (which was given for the benefit of actress Isabella Mattocks
) with Elizabeth Inchbald
's The Child of Nature (adapted from Genlis
) and The Soldier's Festival; or, The Night before... |
Performance of text | Hannah Cowley | HC
's farce or afterpiece Who's the Dupe? opened at Drury Lane
under Garrick
's successor, Sheridan
. It was normal practice for light-hearted sketches to follow more serious plays to complete the evening's entertainment. The London Stage 1660-1800. Southern Illinois University Press, 1960–1968, 5 vols. 5: 246 |
Performance of text | Elizabeth Margravine of Anspach | Elizabeth (Berkeley), Lady Craven
(later Margravine of Anspach), defied social convention by having her comedyThe Miniature Picture (Larpent MS 525) acted at Drury Lane
, with a prologue by Richard Brinsley Sheridan
, and... |
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