Sir Walter Scott
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Standard Name: Scott, Sir Walter
Birth Name: Walter Scott
Titled: Sir Walter Scott
Nickname: The Great Unknown
Used Form: author of Kenilworth
The remarkable career of Walter Scott
began with a period as a Romantic poet (the leading Romantic poet in terms of popularity) before he went on to achieve even greater popularity as a novelist, particularly for his historical fiction and Scottish national tales. His well-earned fame in both these genres of fiction has tended to create the impression that he originated them, whereas in fact women novelists had preceded him in each.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Elizabeth Siddal | In the most sustained consideration of the literary material, Constance Hassett
argues that what has been read as autobiographical is on the contrary a typically Victorian tonality. Hassett, Constance W. “Elizabeth Siddal’s Poetry: A Problem and Some Suggestions”. Victorian Poetry, Vol. 35 , No. 4, 1 Dec.–28 Feb. 1997, pp. 443-70. |
Literary responses | Lady Charlotte Bury | Assessments of LCB
's work during her lifetime varied wildly. Sir Walter Scott
quoted her in print; Sydney Morgan
respected her work; but to most people her social identity eclipsed her literary one. Her early... |
Literary responses | Joanna Baillie | The Critical Review assumed the author was male. It thought the versification monotonous but warmly praised both preface and plays. Critical Review. W. Simpkin and R. Marshall, 5 series. 24 (1798): 1-22 |
Literary responses | Mary Augusta Ward | Beatrice Webb
called this novel the most useful bit of work that has been done for many a long day. You have managed to give the arguments for and against factory legislation and a fixed... |
Literary responses | Margaret Holford | Walter Scott
never answered when Holford sent him a copy of Wallace for comment, and was apparently scathing about the poem in remarks made privately to Joanna Baillie. Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press, 1999, 2 vols. 1: 328 |
Literary responses | Margaret Holford | Elizabeth Isabella Spence
praised this poem in print not long after its appearance (though she conceded that its view of Wallace was not so accurate as that of Jane Porter
's almost contemporaneous rendering in... |
Literary responses | Henrietta Rouviere Mosse | George Saintsbury
found the title ridiculous and the novel worthy of the title. He blamed it for blocks of spiritless and commonplace historic narrative, and for such anachronisms the gentle and elegant heroine being educated... |
Literary responses | Margaret Holford | The reception of this second long poem was far less favourable than that of Wallace. The Monthly Review denied it literary merit while granting it some potential literary-historical interest. The poem was, wrote the... |
Literary responses | Christian Isobel Johnstone | Scott
gave this novel qualified praise. He seemed to see it in the light of a legitimate competitor but not a serious rival. Read Elizth. de Bruce—it is very clever but does not show... |
Literary responses | Catherine Fanshawe | CF
's immediately posthumous reputation rested, like her writings themselves, on oral tradition. She had the admiration of William Cowper
and Walter Scott
, as well as Joanna Baillie
, Anne Grant
, and Mary Berry |
Literary responses | Beatrice Harraden | Marie Belloc Lowndes
described this book for the Times Literary Supplement as a strangely poignant drama and likened it to Mary Shelley
's Frankenstein and Sir Walter Scott
's Waverley for its comparable ability to... |
Literary responses | Anna Steele | In a lengthy review the Times noted that while Gardenhurst had many faults typical of first novels (citing other examples from Sir Walter Scott
, George Eliot
, and Charles Dickens
), it nonetheless has... |
Literary responses | Eliza Haywood | The Monthly Review found the heroine of this book more interesting than Betsy Thoughtless (with better character-drawing but a continued deficiency in plot and sentiments. It conceded that the whole was doubtless much superior to... |
Literary responses | Harriet Martineau | The Athenæum gave this almost a full-page review (far more than it had yet accorded any of the Illustrations). It compared HM
's work in detail with that of Sir Walter Scott
and more... |
Literary responses | Alison Cockburn | Burns
reflected the influence of Cockburn's I've seen the smiling of Fortune beguiling in one of his earliest compositions, I dream'd I lay where flowers were springing (first published in 1788). Fordonski, Krzysztof. “Robert Burns and Maciej Kazimierz Sarbiewski: A Translatological Investigation into the Mystery of ’I dream’d I lay’”. Scottish Literary Review, Vol. 5 , No. 1, 1 Mar. 2013– 2024, pp. 13-29. 16, 26 |
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