Samuel Johnson
-
Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ
achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare
and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell
. In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter
and Charlotte Lennox
to his mentorship of Hester Thrale
, Frances Burney
, and (albeit less concentratedly) of Mary Wollstonecraft
and Henrietta Battier
, it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Helen Maria Williams | The New Annual Register praised the poem's thoughts, imagery, and versification, and remarked that the concluding description of the rise of art and science rises to no small degree of sublimity. qtd. in Kennedy, Deborah. Helen Maria Williams and the Age of Revolution. Bucknell University Press, 2002. 28 |
Literary responses | Frances Sheridan | The novel in its first form was hugely successful: it brought FS
instant fame. Johnson
teasingly expressed doubts about her moral right to make your readers suffer so much. qtd. in Sheridan, Frances. “Introduction”. Memoirs of Miss Sidney Bidulph, edited by Jean Coates Cleary et al., World’s Classics, Oxford University Press, 1995. xi |
Literary responses | Charlotte Lennox | The favourable review in the Literary Magazine (with which Johnson
was closely connected) probably owed something to his influence. Fleeman, John David, and James McLaverty. A Bibliography of the Works of Samuel Johnson. Clarendon Press, 2000, 2 vols. 1: 710 |
Literary responses | Helen Maria Williams | These volumes moved James Boswell
, in a revised edition of his life of Johnson, to withdraw his earlier description of HMW
as amiable and to assert that Johnson
would have found her current attitudes... |
Literary responses | Mary Sewell | Sarah Stickney Ellis
remarked (rather censoriously and in a remarkable echo of fictional employers imagined by Samuel Johnson
and by the servant-poet Elizabeth Hands
): I don't know that I should have liked it, if... |
Literary responses | Hester Lynch Piozzi | HLP
was one of the twenty-four most-reviewed women writers of 1789-90. Hawkins, Ann R., and Stephanie Eckroth, editors. Romantic Women Writers Reviewed. Vol. 3 vols., Ashgate Publishing Company, 2011–2013, 3 vols. |
Literary responses | Elizabeth Singer Rowe | Samuel Johnson
, in his review of Elizabeth Harrison
's Miscellanies on Moral and Religious Subjects, in Prose and Verse, written for the Literary Magazine, or Universal Review in October 1756, went out of... |
Literary responses | Elizabeth Montagu | The patriotism of EM
's riposte ensured its enthusiastic reception. Readers (among them a brother of Elizabeth Carter
, who refrained from enlightening him) assumed that the anonymity of this authoritative critical voice concealed a... |
Literary responses | May Drummond | Thomas Story
said that at the beginning of her preaching career MD
had a Turn of Expression . . . very taking to most Hearers, especially the more polite sort of both Sexes, Story, Thomas. The Life of Thomas Story. Isaac Thompson, 1747. 720 |
Literary responses | Martha Fowke | Already by this date MF
's reputation as a writer had become submerged . . . by scandal and innuendo. Gerrard, Christine. Aaron Hill: The Muses’ Projector 1685-1750. Oxford University Press, 2003. 71 |
Literary responses | Frances Burney | |
Literary Setting | Laetitia-Matilda Hawkins | This odd and intriguing novel is positively eccentric: in the naming of its characters (Mr Bevirode, Mrs Kilgrim), in its exotically melodramatic plot line, and in the way it juxtaposes satire with romance and moralising... |
Material Conditions of Writing | Hester Lynch Piozzi | Hester Thrale
composed what is today her best-known letter: a measured, dignified rebuke to Johnson
in reply to his epistolary bellow of pain and rage at the news of her impending second marriage. Johnson, Samuel, and Hester Lynch Piozzi. The Letters of Samuel Johnson. Editor Chapman, Robert William, Clarendon Press, 1984, 3 vols. 3: 175 |
Material Conditions of Writing | Hester Lynch Piozzi | From ItalyHLP
arranged the publication of her Anecdotes of the Late Samuel Johnson. Clifford, James L. Hester Lynch Piozzi (Mrs Thrale). Clarendon Press, 1987. 263 |
Occupation | Laetitia-Matilda Hawkins | She became amanuensis or secretary for her father
, with only a token wage. But she received £40 for copying and proof-reading his biography of Johnson
. Hawkins, Laetitia-Matilda. Memoirs, Anecdotes, Facts and Opinions. Longman, Hurst, Rees, Orme, Brown, and Green, and C. and J. Rivington, 1824, 2 vols. 1: 141 |
Timeline
No timeline events available.
Texts
No bibliographical results available.