Barcynska, Hélène. Full and Frank: The Private Life of a Woman Novelist. Hurst and Blackett, 1941.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Employer | Hélène Barcynska | She grew to hate her weekly trips to London as her husband
's agent, dressed to his specifications. Barcynska, Hélène. Full and Frank: The Private Life of a Woman Novelist. Hurst and Blackett, 1941. 86 |
Family and Intimate relationships | Hélène Barcynska | Marguerite Jervis
married at Aylesbury registry office, without affection but intending a literary partnership, a writer or journalist, said to be the son of a Polish (naturalized British) Count: Armiger Barclay, formerly Barcynsky
. |
Family and Intimate relationships | Hélène Barcynska | HB
, having lived for years apart from her first husband
, met Welsh writer (David) Caradoc Evans
. The week of their first meeting he gave her a Bible inscribed to her as Marguerite... |
Family and Intimate relationships | Hélène Barcynska | HB
married the Welsh writer and journalist (David) Caradoc Evans
, with whom she had already been living. She says they married a year after Armiger Barclay
died. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. Barcynska, Hélène. Full and Frank: The Private Life of a Woman Novelist. Hurst and Blackett, 1941. 119 |
Family and Intimate relationships | Hélène Barcynska | Under pressure from her parents, Marguerite Jervis became engaged to the eminently suitable Reggie. He gave her a superb ring; people gave her presents; but she looked on marriage merely as exchanging a homely... |
Family and Intimate relationships | Hélène Barcynska | The acquaintance of Marguerite Jervis with Armiger Barclay
resulted from another chance encounter (through the daughter of the house where he was lodging). She already knew his satirical writing. Her description mentions his foreign appearance... |
Family and Intimate relationships | Hélène Barcynska | According to HB
's own account, it was money that separated her from her first husband
, as money had brought them together. While they were living alone for cheapness she sold a story as... |
Intertextuality and Influence | Hélène Barcynska | HB
's first marriage was a milestone in her early writing career. Armiger Barclay
taught her how to punctuate, to paragraph, to type, how to display my goods. Barcynska, Hélène. Full and Frank: The Private Life of a Woman Novelist. Hurst and Blackett, 1941. 52 |
Literary responses | Hélène Barcynska | Marguerite's husband, Armiger Barclay
, having criticised the plan for this novel as not suitable for family reading, found it when finished daring and provocative (qualities which its author denied). Barcynska, Hélène. Full and Frank: The Private Life of a Woman Novelist. Hurst and Blackett, 1941. 57, 66-7 |
Material Conditions of Writing | Hélène Barcynska | HB
seems to have resumed writing as Countess Barcynska after Armiger Barclay
died. Let the Storm Burst, a Barcynska novel of 1941, deals with the impact of the Second World War, and claims... |
Material Conditions of Writing | Hélène Barcynska | The earliest dated Oliver Sandys novel, The Woman in the Firelight, was finished a few weeks after Marguerite Jervis
's wedding, using the idea of a good woman's bad life which her husband
had vetoed. Barcynska, Hélène. Full and Frank: The Private Life of a Woman Novelist. Hurst and Blackett, 1941. 66-7, 85 |
Textual Production | Hélène Barcynska | It is often referred to as her first novel (presumably in part because The Little Mother Who Sits at Home was presented as non-fiction). “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 55957 (11 March 1964): 15 |
Textual Production | Hélène Barcynska | Years later HB
was moved to write an autobiographical article of 12,000 words to refute something similar by Armiger Barclay
in which he claimed to be the author of The Honey-Pot. It was through... |
Textual Production | Hélène Barcynska | Pseudonyms, and their financial implications, ended HB
's first marriage. Armiger Barclay
wanted her to write not as Sandys, under which name she reaped her own profits, but as Barcynska, which funnelled her earnings to... |
Textual Production | Hélène Barcynska | After her implicit agreement with her estranged husband
over Pretty Dear (that he could continue to take half her profits for publications under the name of Barcynska), Marguerite Barclay submitted to Woman's Weekly a new... |
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