Hamilton, Mary Agnes. Remembering My Good Friends. Jonathan Cape, 1944.
74
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Mary Agnes Hamilton | One of Lee's beliefs, pronounced that evening, was: Patriotism . . . is the power to be ashamed of your country. Hamilton, Mary Agnes. Remembering My Good Friends. Jonathan Cape, 1944. 74 |
Friends, Associates | Virginia Woolf | The cultural production of members of Bloomsbury was prodigious, embracing the imaginative, critical, and political writing of Virginia and Leonard Woolf
, E. M. Forster
, and Lytton Strachey
, the economic theories of Maynard Keynes |
Friends, Associates | Nina Hamnett | Having achieved a footing of friendship with Walter Sickert
and the others of the Fitzroy Street Group
, NH
went on through Roger Fry
and Vanessa Bell
to get to know the members of the... |
Friends, Associates | Katherine Mansfield | This time Mary Hutchinson
, Clive Bell
, Aldous Huxley
, T. W. Earp
, Brett
, J. M. Keynes
, and J. T. Sheppard
were there. KM
was back for further weekends in September... |
Literary responses | Stevie Smith | Novel on Yellow Paper was an immediate critical success. Appreciation expressed in reviews by Naomi Mitchison
and Rosamond Lehmann
laid the foundations for SS
's friendships with these and other writers. Spalding, Frances. Stevie Smith: A Critical Biography. Faber and Faber, 1988. 125 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Literary responses | Virginia Woolf | Lytton Strachey
told Leonard Woolf that Virginia's story was a work of genius. The liquidity of the style fills me with envy . . . . How on earth does she make the English language... |
Literary responses | Virginia Woolf | The first reviews of Mrs. Dalloway came out in the same month as those of The Common Reader (first series). Both the Western Mail and the Scotsman dismissed the novel as beyond the general reader... |
Occupation | Roger Fry | After returning from New York, RF
met Vanessa
and Clive Bell
on a train from Cambridge to London, and arranged for Clive's assistance with the upcoming Post-Impressionist exhibition at the Grafton Gallery
. Hussey, Mark. Virginia Woolf A to Z. Facts on File, 1995. 95 |
Occupation | Lady Ottoline Morrell | In 1910 the committee was expanded and renamed the Contemporary Art Society. Its members then included the original four founders, plus Clive Bell
and Ottoline's brother Henry Bentinck
. 44 Bedford Square functioned as the... |
politics | Lady Ottoline Morrell | Assigned to farm labour, registered conscientious objectors including Clive Bell
began to arrive at LOM
's estate, Garsington Manor, to work there. Seymour, Miranda. Ottoline Morrell: Life on the Grand Scale. Farrar Straus Giroux, 1992. 234-5 |
Reception | Virginia Woolf | VW
's professional reputation began to shift at about this time. From the early 1920s, she developed an increasingly strong self-image as an adult woman and writer. More and more, her novels both won praise... |
Reception | Virginia Woolf | Quentin Bell reports that [a]s always, [Woolf] found publication an agitating business, and that when she received her own six copies, on 20 October, she immediately dispatched one to each of Vanessa
, Clive Bell |
Residence | Virginia Woolf | |
Textual Features | Virginia Woolf | Hermione Lee sees VW
's first novel as about the death of childhood and the confused awakening of adult sexuality. Lee, Hermione. Virginia Woolf. Chatto and Windus, 1996. 154 |
Textual Production | Dorothy Richardson | She was invited to write for the magazine by John Middleton Murry
, who founded it in 1923, though both he and Katherine Mansfield
had published negative reviews of earlier volumes of Pilgrimage. Richardson, Dorothy. Windows on Modernism: Selected Letters of Dorothy Richardson. Editor Fromm, Gloria G., University of Georgia Press, 1995. 41-2, 90, 212 |
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