qtd. in
Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House, 2001.
406
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Anne Ridler | AR
wrote that the two great influences on her as a poet (because they helped her to find her own voice) were Sir Thomas Wyatt
and W. H. Auden
. Eliot
, too, was inescapable... |
Intertextuality and Influence | Liz Lochhead | The Recitations (poems in which the speaking voice is crucial, most of them sharply Scots-vernacular comments on sexual or gender relations) include the title piece, Bagpipe Muzak, Glasgow 1990. This laments (in a nice... |
Intertextuality and Influence | Carol Ann Duffy | Duffy answers back not just to male historical figures but (as a reviewer pointed out) to the male poets who have re-imagined such figures, like Auden
in The Fall of Icarus. Elsewhere she remarks... |
Literary responses | Edna St Vincent Millay | Edmund Wilson
disliked this work, apparently because the communist in it is just as ridiculous as the stockbroker, so that no authoritative, authorized, left-wing voice is supplied. qtd. in Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House, 2001. 406 qtd. in Milford, Nancy. Savage Beauty: The Life of Edna St. Vincent Millay. Random House, 2001. 405 |
Literary responses | Naomi Mitchison | Winifred Holtby
, writing in The Bookman, ranked this novel as the most important of the year (a year that saw the appearance of Woolf
's The Waves), Squier, Susan M., and Naomi Mitchison. “Naomi Mitchison: The Feminist Art of Making Things Difficult”. Solution Three, Feminist Press at The City University of New York, 1995, pp. 161-83. 165-6 |
Literary responses | Hannah Arendt | When she sent a copy of this book to Martin Heidegger
, he reacted with pique and anger at being forced to recognise the scope of her intellectual abilities and achievement, which she had always... |
Literary responses | A. E. Housman | The volume was not an instant success, though it was later admired by authors such as E. M. Forster
and W. H. Auden
. Parker, Peter, editor. A Reader’s Guide to Twentieth-Century Writers. Oxford University Press, 1996. 345-6 |
Literary responses | Stella Benson | Naomi Mitichison assured SB
that the young Auden
was fearfully interested in her poems (which Mitchison had been quoting). Mitchison, Naomi. You May Well Ask: A Memoir 1920-1940. Gollancz, 1979. 136 |
Literary responses | Wendy Cope | Reviewer Andrew O'Hagan
, however, applies a withering pen to WC
in a tirade about a general style of anthology which is, he says, frivolous or aimed at the lifestyle or selfhelp markets. His complaint... |
Literary responses | Adrienne Rich | W. H. Auden
, with genuine admiration but instinctive condescension, praised Rich's poems as neatly and modestly dressed. He found them like good girls who speak quietly but do not mumble, respect their elders but... |
Material Conditions of Writing | Carson McCullers | She had the idea for the title novella when she and editor George Davis
and poet W. H. Auden
were in a bar where other customers included a woman who was tall and strong as... |
Material Conditions of Writing | E. J. Scovell | |
Material Conditions of Writing | Adrienne Rich | Her father had planned for her to be a poet; he encouraged her to write something every day and show it to him. qtd. in O’Mahoney, John. “Poet and Pioneer: Adrienne Rich”. The Guardian, 15 June 2002, pp. Review 20 - 3. 21 |
Occupation | Margaret Haig Viscountess Rhondda | Women contributors ranged widely: Rebecca West
, Stella Benson
, Cicely Hamilton
, Members of Parliament Lady Nancy Astor
and Ellen Wilkinson
, Virginia Woolf
, Naomi Mitchison
, E. M. Delafield
, Rose Macaulay |
Occupation | Frances Horovitz | Patrick Magee
, Harvey Hall
, Stevie Smith
, Hugh Dickson
, and Basil Jones
were the other readers for the project. The poets from whose work they read included W. B. Yeats
, D. H. Lawrence |
No timeline events available.
No bibliographical results available.